#Exhibit of the Month

Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.

Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.

The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system.

The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia.
The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London.
The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit.
June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.

Virtual Tour

#Exhibit of the Month

February 2024

The ”trinocle” vessel from Florești

The exhibit represents a unique trinocle type vessel. It is dated to the Eneolithic period, the 5th-4th millennia BC, being related to the Cucuteni-Tripolia civilization (Cucuteni A-B - Tripoli B stage).

The artefact was discovered in 1986 in the settlement of Florești V, 2.5 km west of the town of Florești, currently the estate of the village of Mărculești, on the slope of a promontory, on the surface of which the traces of about 40 prehistoric dwellings were observed.

The original fragments discovered allowed a faithful restoration of the archaeological piece, offering us, in this context, an exceptional heritage object.

The piece conventionally called "vessel" represents a device in the form of a trinocle consisting of three monocles - ceramic tubes joined at the ends by means of bridges. The monocles have cylindrical bodies hollow inside, being oval in the middle, with the lip and base flared in the shape of funnels, the edges at the extremities being flat.

The red-brick colored vessel is modeled from a fine paste of clay, burned oxidizingly and decorated with painted ornament, for which natural dyes of black-cherry shade were used. Monocles identical in shape and size are painted in the same decorative manner. On the outside, both the upper and lower funnels, along with the middle of the piece and the decks, a decoration with geometric motifs is painted. The stylized ornament on the vessel is unfolded in two and three vertical levels and divided into four registers. The most important ornamented area on the trinocle is the space between the funnels in the middle area. The decoration is composed of a group of eight horizontal lines executed on the middle of the monocles and three groups of 3-4 lines arranged vertically between registers separated by relatively thick parallel bands. On the outside, the funnels are ornamented with circles inside of which are intersected by a group of three lines and a large painted dot, and around them are several foliate representations. A few spiral lines are also observed between other thick bands arranged in triangles with a concave side. Inside the funnels, the surface is rudimentarily smoothed, forming several uneven grooves, which represent the pressed traces of the tool with which the interior was shaped, and upon closer analysis, the existence of traces of the potter's fingers can also be admitted. The decor presents images of mythological creatures and symbols of religious ideas and beliefs of the prehistoric Cucutenian communities, from which the functionality of these pieces, which could be used in magical-ritual practices, is assumed.

The dimensions of the vessel are as follows: height - 228 mm; the diameters of the extremities vary from 135 to 142 mm; maximum diameter on the line of two binoculars / bowl width - 285-291 mm.

The trident vessel from Florești belongs to the classic period of the Cucuteni culture, when the so-called "binocular" vessels were very widely known. Viewed in this context, the trinocle from Florești presents itself as a unique piece not only in the Pruto-Nistrian space, but also in the entire area of spread of the Cucuteni-Tripolye civilization, from the Carpathians to the Dnieper.

#Exhibit of the Month

"Ideal" Mechanical Typewriter, Model A Polyglott

February 2024

The ”trinocle” vessel from Florești

#Exhibit of the Month