#Exhibit of the Month

The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).

The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.

The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.

The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.

Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.

Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.

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From the Museum's 2019 Agenda (Science Component)

In 2019 the museum’s researchers will continue to work on individual research topics within the institutional project The role of museum heritage in the development of contemporary society.

According to Order no.1857 of 17.12.2018 of the Ministry of Education, Culture and Research of the Republic of Moldova, the project The role of museum heritage in the development of contemporary society was extended for the year 2019 (funding for 2019 has been approved)

In 2019, the museum's researchers will continue to research and systematize heritage museum collections: the collection of documents and photographs, post-war poster collection, postcard collection, archaeological collections (Paleolithic - Early Middle Ages), numismatics collections, biographical collections of some outstanding personalities (the Bessarabian nobility) and their presentation to the scientific community and the public at different scientific events and temporary exhibitions.

The researchers will participate with papers, reports and theses at symposiums, conferences, seminars organized in the republic and abroad. Three scientific events are scheduled:

Heraldic Symposium, 13^th edition;

Annual scientific conference of the museum History. Archaeology. Museology, 29^th edition;

International Symposium of Numismatics, 19^th edition, October 2019

Two issues of the museum’s journal Tyragetia will be structured and edited: no.1 Archaeology. Ancient History; no.2 History. Museology, 2018. The following monographs will be published:

E. Sava, I. Manzura, S. Agulnikov, Tumuli din stepa Bugeacului Cercetări arheologice în anii 1984-1987. (Barrows from the steppe of Bugeac. Archaeological research in 1984-1987)

S. Ţerna, M. Vasilache-Curoşu, Figurine antropomorfe din etapa Cucuteni A din interfluviul pruto-nistrean (în baza colecţiilor Muzeului Naţional de Istorie a Moldovei). (Anthropomorphic figurines from the Cucuteni A stage in the interfluves of Prut and Nistru (based on collections of the National Museum of History of Moldova).

All scientific and cultural events will have additional promotional materials.

The results of the research will be valorized through museum exhibitions, primarily by organization of temporary exhibitions devoted to important events in the history of the republic, and by creation of new exhibitions of museum collections. Researchers will develop the scientific concept and thematic structure for the following temporary exhibitions:

ArheOS. Când antropologii şi arheologii fac oasele să vorbească. (ArheOS. When anthropologists and archaeologists make bones talk)

Afişul muzical în colecţia Muzeului Naţional de Istorie a Moldovei. (Musical poster in the collection of the National Museum of History of Moldova)

Situl arheologic Costeşti. 65 de ani de cercetări arheologice. (The archaeological site of Costeşti. 65 years of archaeological research)

Figuri antropomorfe cucuteniene. (Cucuteni antropomorthic figures)

Interesting pieces, materials and documents will be collected and purchased for the purpose of developing the museum heritage and organization of future exhibitions. The process of digitalization of museum heritage will continue. Files of analytical inventory will be drawn up for each cultural asset from the museum collections and for all the pieces that will enter the museum heritage through filed research, acquisitions and donations. The classification of mobile cultural pieces will continue.

For all major events organized by museum researchers will be issued press releases to be distributed to various channels of information.

The information about scientific events and exhibitions organized by the museum will be promoted in the printed media, on Radio and on TV.

Museum researchers will constantly update the museum's website with written information for both the general public and interested specialists.