#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

Virtual Tour

#Exhibit of the Month

January 2021

Coin hoard from Caracușenii Vechi, Briceni District

The hoard was found in 1957 during the agricultural works near the village. At first, the hoard was in the collection of the National Museum of Ethnography and Natural History and later was transferred to the National Museum of History (Accession: FB: 12 576 - 12650; N: 12 658 - 12 732). It consists of 75 silver coins from the thaler category issued by the Kingdom of Poland, the United Provinces and the Holy Roman Empire in 1612-1648.

THE KINGDOM OF POLAND
Sigismund II Vasa (1586-1632)
Crown, thaler: 1628 (1).
Gdańsk, orts: 1612 (1), 1613 (1*), 1614 (1), 1615 (7), 1616 (8), 1617 (16), 1618 (4), 1619 (2), 161 (1), 1620 (2), 1621 (8).

THE UNITED PROVINCES OF THE NETHERLANDS
Lion thalers (leeuwendaalder)
Gelderland: 1641 (1), 1647 (2), 1649 (1).
West Frisia: 1648 (1).
Utrecht: 1643 (1), 1646 (1), 1647 (2), 1648 (1).

THE HOLY ROMAN EMPIRE
Kampen: halve leeuwendaalder 1646 (1), 1647 (1); leeuwendaalder 1647 (3), 1649 (1).
Zwolle: leeuwendaalder 1633 (1), 1637 (3), 1644 (1), 1646 (2), 1648 (1).

This hoard by its composition confirms the presence of silver coins from the thaler category in the Principality of Moldavia monetary circulation.

Thalers were first minted in 1486 in Sankt-Joachimsthal, today the Czech Republic, "thaler" being an abbreviation of "Joachimsthaler", meaning coin issued in Sankt-Joachimsthal. In the 16th and 17th centuries, thalers were issued in very large quantities, especially by state entities that were part of the Holy Roman Empire and the Habsburg Empire. Thus, thalers can be considered a quintessentially popular coin; there are thalers of several types, such as Austrian thalers, Polish thalers, Russian thalers, Turkish thalers, Venetian thalers, also called scuzi, "reichsthalers", also called imperials, löwenthalers or lion thalers, and Spanish thalers, also called piastre. In the Romanian principalities, thalers spread widely towards the end of the 16th century, and in the following centuries their circulation became very abundant, the thaler being in circulation until the second half of the 19th century. This money was a huge success, so it is also called: daalder / daler in the Netherlands, talar in Poland, dahlar in Scandinavia, tallaro / tallero in Italy, talari in Ethiopia, dollar in America. A special category is the Dutch thaler, leeuwendaalder, löwenthaler, which means "lion thaler", also called "lion" due to the coat of arms on the reverse, which is a shield with a crown, with a lion inside; it is a silver coin minted in Netherlands, where in 1575 it was decided to mint a new coin based on the scuzi. In the Romanian principalities the lion thaler appears in the last quarter of the 16th century. These lion thaler gave the name to the currency of Romania, the Republic of Moldova (leu), and Bulgaria (leva).

Orts are also silver coins from the thaler category, equal to 1/4 thaler. A quarter thaler was originally called "ortstaler", a name that was later reduced to the form "ort" (in Old German "ort" means "a quarter"). The coin circulated in Europe in the Middle Ages, including the Romanian principalities, being met in the 18th century as Polish, Turkish and German orts. The term "ort" is preserved in the Romanian expression "to give an ort to a priest" (which means "to die"), which dates back to the ancient pagan custom of placing a coin on the little finger of the deceased's right hand so that he could pay for the passage to the afterlife; With the same coin, the priest was paid for the funeral service: the family of the deceased "gave an ort to the priest" to observe church traditions.

#Exhibit of the Month

Easter-Themed Postcards

January 2021

Coin hoard from Caracușenii Vechi, Briceni District

#Exhibit of the Month