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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

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#Exhibit of the Month

January 2023

Mirror from Nikolskoe

In the culture of many peoples from ancient times (and to the present day), mirrors have been given a special role in ritual practice, especially funerary ones. For many communities, mirrors, like metal objects in general, served to protect against evil spirits. Mirrors had a dual purpose - a utilitarian one, as a toilet item, and ritual, as an attribute of a magical rite. The latter is explained by the fact that in the ideas of many peoples the soul of a person is connected to his reflection in a mirror or water. Being external to man, the "soul-reflection" is subject to various dangers.

Obviously, belief in the magical possibilities of mirrors is one of the reasons why the owners kept them closed in wooden, cloth, felt or leather cases and pouches. An expensive mirror was placed in the grave along with the deceased for fear that the soul of a living person reflected in it could be carried away by the spirit of the person passed away. On the other hand, to this day, many nations have a tradition of hanging all the mirrors if there is a dead person in the house, so as not to multiply death.

Metal mirrors are quite rare at the dawn of Scythian history, but over time, they were widely distributed in the Classical time or "Herodotus' Scythia" of the 5th-4th centuries BC. Then the mirror became one of the most important toilet items in Scythian burials. In the west of the Pontic steppes, at least 40 mirrors are known, made in Scythian or Greek workshops, 12 of them are stored in the collection of the National Museum of the History of Moldova.

One of the metal mirrors of Greek work was found on the left bank of the Dniester, near the Nikolskoe village, in the burial mound 14. It was found in a burial near a skull, and in addition to a mirror, 114 arrowheads and six golden fish-shaped plaques. The mirror was cast in bronze along with the handle. The mirror diameter is 16.5 cm, handle length with a round extension is 11.5 cm.

Although burial 1 of kurgan 14 was identified as male, 18-20 years old, mirrors are a marker of exclusively female burials. Such bronze mirrors with side handles appear in the middle of the 5th century BC but were most massively distributed during the last quarter of the 5th - the first half of the 4th century BC.



 

 


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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC