#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour

#Exhibit of the Month

July 2023

An accessory “with a human destiny”

In the context of July 6 - the Day of Commemoration of the Victims of Stalinism in the Republic of Moldova, we bring to the visitor's attention an exhibit that evokes the dramatic fate of one of the thousands of victims of the Stalinist deportations from the Moldavian SSR. The July exhibit is represented by the travel bag that the scientist Alexei Bârladeanu took with him on the night of July 6, 1949, when he was forcibly taken from Chisinau and, together with his wife and son Iulius, were sent to Siberia. The reason for their deportation, incriminated by the repression bodies, would have been "collaboration with the fascists". The travel bag, together with other objects used by the scientist during his deportation (pot, plate, spoon and knife), became part of the museum's heritage in 1994, having been donated by his daughter, Vera Bârlădeanu.

The travel bag - translated from French, "travel bag" - has its origins in America. In the middle of the 19th century, the construction of railways took off here. The availability of tickets caused great interest in travel. Consequently, there is an increased demand for practical, inexpensive means of transporting luggage. The first travel bags were made from pieces of old carpets, so called - carpet bags. They weren't very durable, but they were comfortable, the empty bag rolled easily and didn't take up much space. Such accessories were closed with a single lock. Later, bags began to be made of leather, with leather and metal handles, with reliable fasteners - which increased their durability and practicality, but at the same time the cost. From among simple items, travel bags have moved into the category of expensive, luxury items. It was in this role that the bag gradually took its place in the fashion world as an indispensable accessory for lawyers, doctors, businessmen, becoming in a way the "face" of a respectable person. Previously, these were travel bags that only men used.

The piece displayed in this showcase is made of black faux leather, lined inside with black satin. It has a rectangular shape, rounded edges, a metal plate and a short leather handle. It closes with three metal padlocks, the middle one can be locked with a key. It was manufactured in the Soviet Union, in the 40s of the 20th century. The mediocre state of preservation is evidence of its use in adverse circumstances.

The travel bag has a great memorial value. This accessory "with a human destiny" is a testimony of the iniquities that the scientist Alexei Bârlădeanu - pioneer of genetics and selection in Bessarabia - went through.

Alexei Bârladeanu was born in Comrat, Tighina county, on March 6, 1883, in the family of Gheorghe Bârladeanu and Elena Iordan. After graduating from the Royal High School in Comrat, in 1899, he became seriously ill with lungs and went to be treated in a sanatorium in Switzerland. In 1912, he graduated from the Faculty of Agronomy and Biology in Leipzig. He knew Romanian, French, German, Russian and Turkish perfectly. In 1920, he married Hilda, then a student at the School of Fine Arts in Zurich. In 1925, at her insistence to meet his parents, they come to Bessarabia, where he is actively involved among Bessarabian intellectuals. In 1932, he moved to Chisinau, continuing his research, working as an agronomist and breeder in the plant breeding laboratory of the Faculty of Agronomy in Chisinau.

The ordeal of the Bârlădeanu family begins as soon as Bessarabia is occupied. Hilda, his wife, was the first to fall prey to the Red Terror. She is arrested and escorted to the Kotlas and Verhneaia Tavda camps in the Urals. She was released later, and then in 1949, together with her husband and son, they were picked up and deported to the town of Barit, Gurievsk district, Kemerovo region. Alexei Bârlădeanu continued his research even in the unfavorable conditions of Siberia, but his work was not appreciated. Nor were the multiple requests to be rehabilitated. Returned to Chisinau in 1957, he lives in total poverty. Morally destroyed, old and sick, Alexei Bârlădeanu died on May 11, 1960, without knowing the joy of rehabilitation. It was not until July 17, 1991 that the Prosecutor's Office of the Republic of Moldova issued the rehabilitation document to his descendants.

In the picture: Alexei Bârlădeanu, with his wife and son Iulius, together with his daughter Vera (standing) arriving to visit Siberia, 1953.