#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour

#Exhibit of the Month

July 2023

An accessory “with a human destiny”

In the context of July 6 - the Day of Commemoration of the Victims of Stalinism in the Republic of Moldova, we bring to the visitor's attention an exhibit that evokes the dramatic fate of one of the thousands of victims of the Stalinist deportations from the Moldavian SSR. The July exhibit is represented by the travel bag that the scientist Alexei Bârladeanu took with him on the night of July 6, 1949, when he was forcibly taken from Chisinau and, together with his wife and son Iulius, were sent to Siberia. The reason for their deportation, incriminated by the repression bodies, would have been "collaboration with the fascists". The travel bag, together with other objects used by the scientist during his deportation (pot, plate, spoon and knife), became part of the museum's heritage in 1994, having been donated by his daughter, Vera Bârlădeanu.

The travel bag - translated from French, "travel bag" - has its origins in America. In the middle of the 19th century, the construction of railways took off here. The availability of tickets caused great interest in travel. Consequently, there is an increased demand for practical, inexpensive means of transporting luggage. The first travel bags were made from pieces of old carpets, so called - carpet bags. They weren't very durable, but they were comfortable, the empty bag rolled easily and didn't take up much space. Such accessories were closed with a single lock. Later, bags began to be made of leather, with leather and metal handles, with reliable fasteners - which increased their durability and practicality, but at the same time the cost. From among simple items, travel bags have moved into the category of expensive, luxury items. It was in this role that the bag gradually took its place in the fashion world as an indispensable accessory for lawyers, doctors, businessmen, becoming in a way the "face" of a respectable person. Previously, these were travel bags that only men used.

The piece displayed in this showcase is made of black faux leather, lined inside with black satin. It has a rectangular shape, rounded edges, a metal plate and a short leather handle. It closes with three metal padlocks, the middle one can be locked with a key. It was manufactured in the Soviet Union, in the 40s of the 20th century. The mediocre state of preservation is evidence of its use in adverse circumstances.

The travel bag has a great memorial value. This accessory "with a human destiny" is a testimony of the iniquities that the scientist Alexei Bârlădeanu - pioneer of genetics and selection in Bessarabia - went through.

Alexei Bârladeanu was born in Comrat, Tighina county, on March 6, 1883, in the family of Gheorghe Bârladeanu and Elena Iordan. After graduating from the Royal High School in Comrat, in 1899, he became seriously ill with lungs and went to be treated in a sanatorium in Switzerland. In 1912, he graduated from the Faculty of Agronomy and Biology in Leipzig. He knew Romanian, French, German, Russian and Turkish perfectly. In 1920, he married Hilda, then a student at the School of Fine Arts in Zurich. In 1925, at her insistence to meet his parents, they come to Bessarabia, where he is actively involved among Bessarabian intellectuals. In 1932, he moved to Chisinau, continuing his research, working as an agronomist and breeder in the plant breeding laboratory of the Faculty of Agronomy in Chisinau.

The ordeal of the Bârlădeanu family begins as soon as Bessarabia is occupied. Hilda, his wife, was the first to fall prey to the Red Terror. She is arrested and escorted to the Kotlas and Verhneaia Tavda camps in the Urals. She was released later, and then in 1949, together with her husband and son, they were picked up and deported to the town of Barit, Gurievsk district, Kemerovo region. Alexei Bârlădeanu continued his research even in the unfavorable conditions of Siberia, but his work was not appreciated. Nor were the multiple requests to be rehabilitated. Returned to Chisinau in 1957, he lives in total poverty. Morally destroyed, old and sick, Alexei Bârlădeanu died on May 11, 1960, without knowing the joy of rehabilitation. It was not until July 17, 1991 that the Prosecutor's Office of the Republic of Moldova issued the rehabilitation document to his descendants.

In the picture: Alexei Bârlădeanu, with his wife and son Iulius, together with his daughter Vera (standing) arriving to visit Siberia, 1953.