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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


#Exhibit of the Month

November 2022

Mende amphora from Dubăsari

Amphoras are massive vessels originating from the ancient Greek world, executed on the potter's wheel, in which Greek merchants, in the process of their trade with other territories and peoples, transported, in particular, Greek wine, olive oil, salted olives, paints, nuts, etc. The shape of the Greek commercial amphora, in the opinion of some researchers, vaguely recalls the female figure, having, probably, at the beginning, a sacred character. Among the main features of the amphorae are well-thought-out metric proportions. The full amphora, placed in a horizontal position, rested on the body and on the elongated foot in such a way that the upper part of the vessel and the high neck were permanently raised obliquely, so that the liquid would not spill. The sharp shape of the foot required special fixation, either on special supports, or the lower part of the body was buried in the ground or sand. The deep inner cavity of the leg did not allow the liquid in the vessel to become cloudy during the transport process, the sediments remaining stored inside the leg.

Among the dozens of city-states in ancient Greece, which practiced trade with the local populations of the Black Sea region (Euxine Bridge), there is also the city of Mende (Μένδη), located on the Kassandra arm (Κασσάνδρας) of the Halkidiki peninsula (Halkidiki - Χαλκιδική). It is considered that the foundation of the city of Mende took place in the century VIII BC. The main article of trade of this Greek polis was wine, considered of superior quality and even indicated by Hippocrates as a medicine in the treatment of certain diseases. Starting with the century 6th century BC, the city of Mende experienced economic growth, especially in the Circumpontian region, and in the V-IV BC Mendiot wine appears more and more frequently in the local markets of this region.

Even some barbarian tribes, according to the Greek tradition, often used wine amphorae in the funeral process, when they were placed, as an offering, in the graves, together with other objects, which were either brought as an offering to the gods, or were intended to serve the deceased in the afterlife.

Such a funerary complex was discovered by archaeologist Nicolae Chetraru in 1987 - the Scythian tumulus no. 45 from Dubăsari. The deceased was cremated, and three amphorae and a large bronze cauldron were placed in the grave. Among the amphorae (all belonging to Greek wine centers) was one from Mende, along with two others from Chios. Since the wines of Mende and Chios were considered expensive wines, as was the bronze cauldron, their presence in this mound was an indication of a privileged financial and social position of the person cremated here.

The Mende amphora from tomb 1 of mound 45 at Dubăsari is, at the moment, the only complete vessel from this center on the territory of the Republic. Moldova, although fragments of Mendiot amphorae have also been discovered in other archaeological sites in the country.

The vessel is made of a yellowish-brown paste with chewed sand and many particles of mica. The amphora has the following basic dimensions: height - 740 mm, depth - 610 mm, maximum diameter - 390 mm.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC