#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour

Events Archive

The 16th Heraldry Symposium

April 27, 2022

On April 27, 2022, when the Republic of Moldova celebrates the Day of its State Flag and the State Emblem, the 16^th Heraldry Symposium was held at the National Museum of History of Moldova, in which about 30 people took part on-site and online. This time, the symposium, traditionally organized by the Paul Gore Genealogical, Heraldry and Archival Society in partnership with the National Heraldry Commission under the President of the Republic of Moldova and the National Museum of History of Moldova, was dedicated to the 30^th anniversary of the creation of the national system of state insignia of the Republic of Moldova.

The participants were welcomed by Corresponding Member of the Academy of Sciences of Moldova Mariana Șlapac, President of the National Heraldry Commission and Dr. habil. Eugen Sava, General Director of the National Museum of History of Moldova.

Seven scientific communications were made, four speakers representing the Republic of Moldova and three were from Romania. The first two speakers, in accordance with the scientific theme of this year's symposium, addressed phaleristics, and the others touched upon the issues of heraldry, sigillography and biographies of figures in the field of science and art of heraldry.

The following communications were presented:

1. Dr. Silviu TABAC (Office of the President of the Republic of Moldova), Ordinele Republicii Moldova instituite în anii 1994-2004: „Gloria Muncii”, „Recunoștința Patriei”, „Ordinul de Onoare”, „Credință Patriei” [Orders of the Republic of Moldova established in 1994-2004: “Labor Glory”, “Gratitude of the Motherland”, “Order of Honor”, “Loyalty to the Motherland”];

2. Dr. SZEKERES Attila István (Heraldry and Vexillology Association of Transylvania, Sfântu Gheorghe), Ornatul Ordinului „Sfântul Ștefan” al Ungariei la Sibiu [Ornament of the Order of Saint Stephen of Hungary in Sibiu];

3. Dr. Ana BOLDUREANU (National Museum of History of Moldova), Plumburi medievale din secolele XV-XVI descoperite recent la Orheiul Vechi [Medieval lead objects of the 15^th-16^th centuries recently found in Old Orhei];

4. Drăgan-George BASARABĂ (December 1, 1918 University of Alba Iulia), Un vlăstar ilegitim al familiei de Saxa-Coburg-Saalfeld născut pe pământ românesc – baronul Friedrich de Rohmann [An illegitimate offspring of the Saxe-Coburg-Saalfeld family born on Romanian soil – Baron Friedrich de Rohmann];

5. Alexandru MOLCOSEAN (Institute of History, Chișinău), Sigilii ale instituțiilor de partid din RASS Moldovenească (1926-1934) [Seals of party institutions of the Moldavian ASSR (1926-1934)];

6. Dr. Tudor-Radu TIRON (National Commission of Heraldry, Genealogy and Sigillography of the Romanian Academy), Academicianul Dan Berindei (1923-2021) – un genealogist în slujba heraldicii românești [Academician Dan Berindei (1923-2021) – a genealogist in the service of Romanian heraldry];

7. Angela FURTUNĂ (Office of the President of the Republic of Moldova), Iurie Caminschi (1961-2020) – primul pictor-heraldist oficial al Republicii Moldova [Iurie Caminschi (1961-2020) – the first official heraldry artist of the Republic of Moldova].

Then the writer and translator Emilian GALAICU-PĂUN presented two books on the history of symbols recently published by the Cartier Publishing House in Chișinău:

- Michel Pastoureau, O istorie simbolică a Evului Mediu Occidental, 2nd edition, revised; translated from French by Em. Galaicu-Păun, Chișinău, Cartier Publ., 2022, 429 pp. (Cartier istoric series);

- Michel Pastoureau, Regele ucis de-un porc. O moarte infamă la originea emblemelor Franței, translated from French by Em. Galaicu-Păun, Chișinău, Cartier Publ., 2022, 207 pp. (Cartier istoric series).

At the end of the proceedings, under the guidance of Mrs. Ana Boldureanu, the participants present in the conference room had the opportunity to visit the exhibition “The Tricolor – Symbol of Dignity” organized by the host museum on the occasion of the commemorative day of April 27.

The papers of the symposium will be published in the “Heraldica Moldaviae” yearbook.