To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
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Citation of monographs:
Boardman 1988: J. Boardman, Grecii de peste mări. Colonizarea greacă și comerțul timpuriu (București 1988).
Козуб 1974: Ю.I. Козуб, Некрополь Ольвiï V-IV ст. до н.e. (Киïв 1974).
Citation of articles published in collections of scholarly articles:
Behren 2005: Claudia von Behren, Sklaven und Freigelassene auf bosporanischen Grabreliefs. In: (Ed. V. Cojocaru) Ethnic Contacts and Cultural Exchanges North and West of the Black Sea from the Greek Colonization to the Ottoman Conquest (Iași 2005), 167-194.
Ванчугов 1981: В.П. Ванчугов, Поселение позднего бронзового века Ялпуг-IV в Нижнем Подунавье. В сб.: (Отв. ред. П.О. Карышковский) Памятники древних культур Северо-Западного Причерноморья (Киев 1981), 91-102.
Citation of works published in periodical editions (journals, yearbooks etc.):
Postică 2005: Gh. Postică, Complexul monumental din piatră din secolul XV descoperit în citadela Orheiului Vechi. Revista Arheologică S.N. I/2, 2005, 371-387.
Рехо 1973: М. Рехо, Атическа рисувана керамика в тракийския погребален контекст. Наблюдения върху съдовете, открити в България. Aрхеология 31/2, 1973, 11-19.
Citation of materials published in volumes of symposiums and scholarly conferences:
Trohani 2004: G. Trohani, Aspects concernant des rituels de fondation chez les geto-daces. Tracians and circumpontics world. Proceedings of the Ninth International Congress of Thracology, Chișinău-Vadul lui Vodă, 6-11 september 2004, II (Chișinău 2004), 332-337.
Бибикова 1972: В.И. Бибикова, О доместикации лошади на Юго-Востоке Европы. Матерiали XIII конференцiï Iнституту археологiï АН УРСС, Киïв, 1968 (Киïв 1972), 106-110.
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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
