Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Social symbols in the Bronze Age. Antler and bone scepters
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The present study discusses the antler and bone scepters specifi c for the Romanian Bronze Age. This type of objects have been found since the Neolithic period, they are frequently encountered during the Bronze Age and rarely discovered in the first period of the Iron Age.
The majority of the pieces are made of antler and only a couple of them are made of bone. Some of the pieces, beautifully decorated have a central perforation in order to fi x it in a wooden handle. Concerning the archaeological context of the fi ndings, the majority of the objects were discovered inside the settlements and only one piece is part of the inventory of a tomb.
The antler and bone scepters have been discovered in different archaeological cultures since the Early Bronze Age, but the majority of the pieces are attributed to the Middle Bronze Age (the Monteoru, Wietenberg, Costișa, Otomani, Verbicioara cultures). For the Late Bronze Age we only know one item. The signification of such items is primarily related to the social symbolism, but they can also be interpreted as cult objects in the case of their utilization during religious rituals.
List of illustrations:
Fig. 1. Dissemination of the antler and bone scepters in România: 1 - Boarta; 2 - Bodeștii de Jos; 3 - Cicău; 4 - Lancrăm; 5 - Oradea; 6 - Racoș; 7 - Sărata Monteoru; 8 - Sibișeni; 9 - Ulmu; 10 - Verbicioara. Fig. 2. Antler fragments utilized as support for the manufacture of the scepters. Fig. 3. Tomb 71 from the necropolis no. 4 in Sărata Monteoru (after Bârzu 1989). Fig. 4. Antler scepters: 1 - Boarta (after Popa, Ștefu 2009); 2 - Lancrăm (after Aldea 1973). Fig. 5. Antler and bone scepters: 1 - Verbicioara (after Berciu, Morintz, Maximilian 1957); 2 - Sărata Monteoru (after Bârzu 1989); 3 - Ulmu (after Florescu 1991); 4 - Racoș (after Costea, Ștefănescu 2003); 5 - Cicău (after Winkler, Takács 1980); 6 - Oradea (after Fazecaș 2005); 7 - Bodeștii de Jos (after Munteanu 2010). Fig. 6. Reconstitution of a scepter (drawing D. G. Spatariu).
Vasile Diaconu
In memoriam Gheorghe Dumitroaia (23.04.1949-6.04.2016)
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu, Mariana Sîrbu
Uncommon practice of re-use of Bronze Age stone axes
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu, Bogdan-Petru Niculică
Stone scepters belonging to the Bronze Age, discovered in Suceava County
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu
Arheologia fără graniţe. Interviu cu cercetătorul Tiberiu Bader (Hochdorf)
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Vasile Diaconu
Bogdan Petru Niculică, Epoca bronzului în Podișul Sucevei, Suceava: Editura Karl A. Romstorfer, 2015, 622 p. ISBN 978-606-8698-06-9
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
