The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Social symbols in the Bronze Age. Antler and bone scepters
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The present study discusses the antler and bone scepters specifi c for the Romanian Bronze Age. This type of objects have been found since the Neolithic period, they are frequently encountered during the Bronze Age and rarely discovered in the first period of the Iron Age.
The majority of the pieces are made of antler and only a couple of them are made of bone. Some of the pieces, beautifully decorated have a central perforation in order to fi x it in a wooden handle. Concerning the archaeological context of the fi ndings, the majority of the objects were discovered inside the settlements and only one piece is part of the inventory of a tomb.
The antler and bone scepters have been discovered in different archaeological cultures since the Early Bronze Age, but the majority of the pieces are attributed to the Middle Bronze Age (the Monteoru, Wietenberg, Costișa, Otomani, Verbicioara cultures). For the Late Bronze Age we only know one item. The signification of such items is primarily related to the social symbolism, but they can also be interpreted as cult objects in the case of their utilization during religious rituals.
List of illustrations:
Fig. 1. Dissemination of the antler and bone scepters in România: 1 - Boarta; 2 - Bodeștii de Jos; 3 - Cicău; 4 - Lancrăm; 5 - Oradea; 6 - Racoș; 7 - Sărata Monteoru; 8 - Sibișeni; 9 - Ulmu; 10 - Verbicioara. Fig. 2. Antler fragments utilized as support for the manufacture of the scepters. Fig. 3. Tomb 71 from the necropolis no. 4 in Sărata Monteoru (after Bârzu 1989). Fig. 4. Antler scepters: 1 - Boarta (after Popa, Ștefu 2009); 2 - Lancrăm (after Aldea 1973). Fig. 5. Antler and bone scepters: 1 - Verbicioara (after Berciu, Morintz, Maximilian 1957); 2 - Sărata Monteoru (after Bârzu 1989); 3 - Ulmu (after Florescu 1991); 4 - Racoș (after Costea, Ștefănescu 2003); 5 - Cicău (after Winkler, Takács 1980); 6 - Oradea (after Fazecaș 2005); 7 - Bodeștii de Jos (after Munteanu 2010). Fig. 6. Reconstitution of a scepter (drawing D. G. Spatariu).
Vasile Diaconu, Mariana Sîrbu
Uncommon practice of re-use of Bronze Age stone axes
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu
Arheologia fără graniţe. Interviu cu cercetătorul Tiberiu Bader (Hochdorf)
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Vasile Diaconu
In memoriam Gheorghe Dumitroaia (23.04.1949-6.04.2016)
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu, Bogdan-Petru Niculică
Stone scepters belonging to the Bronze Age, discovered in Suceava County
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Simina Margareta Stanc, Vasile Diaconu, Luminiţa Bejenaru
Animal Resources in the Economy of the Noua Culture (Bronze Age) Communities: case study on the settlement at Crasnaleuca (Botosani County, Romania)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.