To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Social symbols in the Bronze Age. Antler and bone scepters
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The present study discusses the antler and bone scepters specifi c for the Romanian Bronze Age. This type of objects have been found since the Neolithic period, they are frequently encountered during the Bronze Age and rarely discovered in the first period of the Iron Age.
The majority of the pieces are made of antler and only a couple of them are made of bone. Some of the pieces, beautifully decorated have a central perforation in order to fi x it in a wooden handle. Concerning the archaeological context of the fi ndings, the majority of the objects were discovered inside the settlements and only one piece is part of the inventory of a tomb.
The antler and bone scepters have been discovered in different archaeological cultures since the Early Bronze Age, but the majority of the pieces are attributed to the Middle Bronze Age (the Monteoru, Wietenberg, Costișa, Otomani, Verbicioara cultures). For the Late Bronze Age we only know one item. The signification of such items is primarily related to the social symbolism, but they can also be interpreted as cult objects in the case of their utilization during religious rituals.
List of illustrations:
Fig. 1. Dissemination of the antler and bone scepters in România: 1 - Boarta; 2 - Bodeștii de Jos; 3 - Cicău; 4 - Lancrăm; 5 - Oradea; 6 - Racoș; 7 - Sărata Monteoru; 8 - Sibișeni; 9 - Ulmu; 10 - Verbicioara. Fig. 2. Antler fragments utilized as support for the manufacture of the scepters. Fig. 3. Tomb 71 from the necropolis no. 4 in Sărata Monteoru (after Bârzu 1989). Fig. 4. Antler scepters: 1 - Boarta (after Popa, Ștefu 2009); 2 - Lancrăm (after Aldea 1973). Fig. 5. Antler and bone scepters: 1 - Verbicioara (after Berciu, Morintz, Maximilian 1957); 2 - Sărata Monteoru (after Bârzu 1989); 3 - Ulmu (after Florescu 1991); 4 - Racoș (after Costea, Ștefănescu 2003); 5 - Cicău (after Winkler, Takács 1980); 6 - Oradea (after Fazecaș 2005); 7 - Bodeștii de Jos (after Munteanu 2010). Fig. 6. Reconstitution of a scepter (drawing D. G. Spatariu).
Vasile Diaconu, Mariana Sîrbu
Uncommon practice of re-use of Bronze Age stone axes
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu
Arheologia fără graniţe. Interviu cu cercetătorul Tiberiu Bader (Hochdorf)
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Vasile Diaconu
In memoriam Gheorghe Dumitroaia (23.04.1949-6.04.2016)
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Vasile Diaconu, Bogdan-Petru Niculică
Stone scepters belonging to the Bronze Age, discovered in Suceava County
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Simina Margareta Stanc, Vasile Diaconu, Luminiţa Bejenaru
Animal Resources in the Economy of the Noua Culture (Bronze Age) Communities: case study on the settlement at Crasnaleuca (Botosani County, Romania)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.