Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
Serghei Agulnicov, Eugen Mistreanu, Sergiu Popovici
Tumuli (kurgans) from Brînzenii Noi and Rogojeni (Rescue Archaeological Research 2013)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
This article puts in the scientifi c use results of rescue research of the mound (tumulus) no.1 from the village of Brânzenii Noi (Telenești District) and the mound (tumulus) no.1 from the village of Rogojeni (Şoldănești District). The vast majority of burials in the mounds studied belong to the Yamna culture, Early Bronze Age. One burial from the mound 1 in Brînzenii Noi refers to antiquities of the Noua culture, Late Bronze Age. In conclusion, the authors consider the issues of coexistence of the Late Yamna culture tribes with the bearers of the Catacomb culture in such a peculiar ecological niche as the fl oodplain of the Middle Răut.
List of illustrations:
Fig. 1. Geographical location of the researched tumuli (kurgans): 1 - Brânzenii Noi village, Telenești District; 2 - Rogojeni village, Șoldănești District. Fig. 2. The terrain map with the location of the tumuli (kurgans) and necropolises studied in the lower riches of the Middle Răut: I - the kurgan from Orhei; II - tumular necropolis from Braviceni; III - tumular necropolis from Ciocîlteni; IV - burial mounds from Codrul Nou. Fig. 3. Brânzenii Noi. Tumulus (kurgan) no. 1. Plan and sections. Fig. 4. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 1, stone fi lling. Fig. 5. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - tomb no. 3; 3 - temple ring from the tomb no. 2; 4 - vessel from the tomb no. 1; 5 - tomb no. 2. Fig. 6. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 4. Fig. 7. Rogojeni. Tumulus (kurgan) no. 1. Plan and sections. Fig. 8. Rogojeni. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - vessel from the tomb no. 1; 3 - tomb no. 2; 4 - vessel from the tomb no. 2. Fig. 9. Rogojeni. Tumulus (kurgan) no. 1: 1 - anthropomorphic stele; 2, 3 - fl int fl ake. Fig. 10. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - vessel from tomb no. 1; 2 - vessel from tomb no. 1 (photo in situ). Rogojeni. Tumulus (kurgan) no. 1: 3 - vessel from tomb no. 1; 4 - vessel from tomb no. 1 (photo in situ); 5 - vessel from tomb no. 2, 6 - vessel from tomb no. 1 (photo in situ).
Sergiu Popovici
Aurel Vîlcu, Theodor Isvoranu, Eugen Nicolae, Les Monnaies d'or de l'Institut d'Arheologie de Bucarest, Moneta, Wetteren 2006, 253 p., abrevieri, indice de catalog, 32 planșe, 884 fi g., 1 hartă, ISBN 90-77297-29-4
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
Batch of ceramic fragments from the Gumelniţa culture settlement at Colibaş, Cahul District
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 1, Arheologie. Istorie Antică, Chişinău, 2025
Сергей М. Агульников
The Belozerka culture horizon from the settlement Kriničnoe
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
New data on Gumelnița communities in the Yalpug River microzone
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
A new settlement of the Gumelnița culture from Chioselia Mare village, Cahul District
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.