German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Serghei Agulnicov, Eugen Mistreanu, Sergiu Popovici
Tumuli (kurgans) from Brînzenii Noi and Rogojeni (Rescue Archaeological Research 2013)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
This article puts in the scientifi c use results of rescue research of the mound (tumulus) no.1 from the village of Brânzenii Noi (Telenești District) and the mound (tumulus) no.1 from the village of Rogojeni (Şoldănești District). The vast majority of burials in the mounds studied belong to the Yamna culture, Early Bronze Age. One burial from the mound 1 in Brînzenii Noi refers to antiquities of the Noua culture, Late Bronze Age. In conclusion, the authors consider the issues of coexistence of the Late Yamna culture tribes with the bearers of the Catacomb culture in such a peculiar ecological niche as the fl oodplain of the Middle Răut.
List of illustrations:
Fig. 1. Geographical location of the researched tumuli (kurgans): 1 - Brânzenii Noi village, Telenești District; 2 - Rogojeni village, Șoldănești District. Fig. 2. The terrain map with the location of the tumuli (kurgans) and necropolises studied in the lower riches of the Middle Răut: I - the kurgan from Orhei; II - tumular necropolis from Braviceni; III - tumular necropolis from Ciocîlteni; IV - burial mounds from Codrul Nou. Fig. 3. Brânzenii Noi. Tumulus (kurgan) no. 1. Plan and sections. Fig. 4. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 1, stone fi lling. Fig. 5. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - tomb no. 3; 3 - temple ring from the tomb no. 2; 4 - vessel from the tomb no. 1; 5 - tomb no. 2. Fig. 6. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 4. Fig. 7. Rogojeni. Tumulus (kurgan) no. 1. Plan and sections. Fig. 8. Rogojeni. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - vessel from the tomb no. 1; 3 - tomb no. 2; 4 - vessel from the tomb no. 2. Fig. 9. Rogojeni. Tumulus (kurgan) no. 1: 1 - anthropomorphic stele; 2, 3 - fl int fl ake. Fig. 10. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - vessel from tomb no. 1; 2 - vessel from tomb no. 1 (photo in situ). Rogojeni. Tumulus (kurgan) no. 1: 3 - vessel from tomb no. 1; 4 - vessel from tomb no. 1 (photo in situ); 5 - vessel from tomb no. 2, 6 - vessel from tomb no. 1 (photo in situ).
Eugen Mistreanu
A new settlement of the Gumelnița culture from Chioselia Mare village, Cahul District
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
About the batch of clay “breadcakes” found at the Cucoara I site (from the collections of the National Museum of History of Moldova)
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 1, Arheologie. Istorie Antică, Chişinău, 2022
Сергей М. Агульников
The Belozerka culture horizon from the settlement Kriničnoe
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Sergiu Popovici
Aurel Vîlcu, Theodor Isvoranu, Eugen Nicolae, Les Monnaies d'or de l'Institut d'Arheologie de Bucarest, Moneta, Wetteren 2006, 253 p., abrevieri, indice de catalog, 32 planșe, 884 fi g., 1 hartă, ISBN 90-77297-29-4
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
Pottery of the Gumelniţa culture, discovered in the village of Ciobalaccia, Cantemir District
Tyragetia, serie nouă, vol. XV [XXX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2021
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.