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German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.
The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

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Museum. Museumification of the immovable cultural heritage

Museum. Museumification of the immovable cultural heritage

Biblioteca „Tyragetia” XXXIV, Chișinău, 2021, 232 p. ISBN 978-9975-80-903-0; 978-9975-166-26-3

A museum is one of the oldest cultural institutions. Over time, the concept of a museum has undergone many changes, the institution being approached from different points of view. Today, the concept of a museum is the subject of extensive debate in the world of museum professionals. New approaches and interpretations related to the mission and vision of a museum are proposed, new models of museum institutions appear. A museum is becoming an indispensable cultural institution for a modern society that preserves and develops the heritage. The development is a universal way of preserving cultural heritage, contributing to tolerance and cohesion in society. The level of development of the heritage also determines the level of development of the society. Effective development of the heritage is achieved through museumification. Museumification leads to the promotion of monuments, their successful use for educational purposes, complex study, interdisciplinary approach and amplification of the process of knowledge and awareness of the need to protect them. The subject of this book is the preservation and optimal development of cultural heritage through museumification, in order to sustain the development of society, the spiritual development of people. The approach to this topic starts from the belief that such research is necessary and can be useful. Museumification is seen as a tool for the protection and development of immovable cultural heritage. This paper presents an important page in the history of national culture, concerning museums and museumification, heritage and heritageization. The topic touched upon here, we believe, relates to museology, heritage science, the areas that are complex, but important for national culture. Museumification is a complex process involving the transformation of cultural and natural heritage into museum objects with the aim of maximizing their preservation, revealing their historical, cultural, scientific, artistic value, and for their promotion. Museumification is considered as an optimal way to protect and relay the socio-cultural experience through the use of memorial houses, archaeological sites, religious monuments, literary and memorial complexes. The process of museumification in the Republic of Moldova is presented in the paper in historical dynamics, in various forms in which it manifested itself - as a museum activity, as a way of preserving and using historical monuments, and as an important factor in the development of the museum system and museography in general. The work includes three chapters with a complex documentary and bibliographic basis.

CONTENTS

Preface (by Liliana Condraticova)

A book about museum and museumification (by Ioan Opriș)

Argument

I. MUSEUM INSTITUTION. PROFESSIONALIZATION OF THE MUSEOGRAPHIC FIELD

I.1. About a museum
I.2. National and international organizations as important tools in forming the professional community
I.3. Professional training of museographers
I.4. Specialized press in the professional communication system
I.5. Professionalization standards: Code of ethics
I.6. Accreditation of museums as a new stage in the professionalization of the museographic field

II. MUSEUMS AND HISTORIC MONUMENTS IN THE INSTITUTIONAL AND LEGISLATIVE SYSTEM

II.1. Institutional structures dedicated to museums
II.2. Museum institution. Legislative aspects
II.3. The contemporary museum between tradition and modernity
II.4. Heritage and heritageization
II.5. Historical monuments in the institutional system
II.6. Legislation regarding historical monuments

III. MUSEUMIFICATION OF IMMOVABLE HERITAGE

III.1. The grammar of the museumification of cultural heritage
III.2. Muzeumification of memorial houses
III.3. Museum and church: problems of museumification
III.4. Archeology and the museumification process
III.5. Museumification of medieval fortresses
III.6. Museumification of historical sites

CONCLUSION

Bibliography

List of abbreviations

Abstract

Резюме

Annexes

Index of proper names

Index of museums

Index of historical monuments

 




 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC