#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour

Publications

Library „Tyragetia"

Studies on Museology (II)

Series “Biblioteca “Tyragetia” XXIII, Chisinau, 2013. 228 p. ISBN 978-9975-80-765-4; 978-9975-80-766-1.

The volume Studii de muzeologie, II (Museology Studies, II) was officially launched at the end of December 2013 at the National Museum of History of Moldova in the context of a series of scientific and cultural events honoring its 30^th anniversary from foundation on December 21^st, 1983.

The volume appeared in the series Biblioteca „Tyragetia" XXIII (Library „Tyragetia" XXIII) with dr. hab. Eugen Sava and dr. Aurel Zanoci as coordinators, and dr. hab. Elena Ploșnița as responsible of edition. The graphical presentation was done by Ivan Litsiuk and Mihai Sava, the photography is authored by Iurie Foca, and the editing was ensured by Vlad Pohilă and Mariana Balan. The print was done at Bons Offices, on quality paper, on 17x25 format.

On the brown cover appears the museum coat of arms and on the back cover feature abstracts from reviews on the volume signed by dr. hab. Ion Niculiță and dr. Valentina Ursu. The summary includes important scientific contributions in the field of museolgy from the country and from abroad.

Beginning with a short preface signed by dr. hab. E. Sava, the volume has as starting point the Proposal for public policy regarding the modernization and streamlining of museum activities. In April 2012, the Ministry of Culture of Republic of Moldova created a working group who elaborated the project Public policies regarding streamlining museum activities from its subordination. After public debates, the project has been approved in July 2013 by the Inter-ministerial Committee for Strategic Planning from State Chancellery. Two options of the project are to be implemented starting with 2014. Option no. 2 is Management based on performance and development of museums business and educational competences and Option no.3 is Accreditation of collections management and funding of projects for collections development.

The value of this volume relies on the scientific authority of its authors. Among them is the patriarch of museology from contemporary Romania - prof. dr. Ioan Opriș, who presented the study Museographic realities and horizons in which he succeeded in motivating the realities of contemporary museology from Romania and in arguing the perspectives of museum institution evolution.

The study signed by Aurelia Cornețchi - Museum Night - a welcoming concept -surprises with richness of information. The author thinks that the cultural phenomenon Museum night has „revolutionized the museum institutions and has an extraordinary impact on the large public and is a phenomenon in full ascent"

The study made by Lucia Marinescu-Tonu puts to the forefront issues of heritage pedagogy which can contribute to the economic development, social cohesion and active citizenship.

Dr. hab. Elena Ploșnița in Museum heritage - a few lines of reflection and action highlights the need for development of museum institution's heritage based on proper scientific concepts, while the development of the museum itself should start from a management based on marketing policies and information technologies.

The study signed by Adelaida Chiroșca presents the show of an interesting collection - Sealing matrix from the heritage of the National Museum of History of Moldova.

Iurii Piatnițki dedicates a detailed study to the personality of Mihail Mihailovici Savostin, a well-known Russian collector from the end of 19^th-beginning of 20^th century.

Ann Nicholls proposes to the reader a presentation of the European Museum Academy which aims at attracting museographers and museum institutions from Republic of Moldova in the activity of this institution founded by European museographers on the occasion of the 10^th commemoration of the late curator Kenneth Hudson, based in Holland. The academy has the goal to stimulate museum thinking, support of museum research, stimulate pioneer ideas in museum practice etc.

Conceived as a consolidated volume, Studii de muzeologie incite and also inform, its publication being of absolute utility. Written in a clear and sober stile, it will certainly find an honored place among works specific to this field.

The study has a fair edition given the actual conditions. It is essential for this volume to be included in all specialized and public libraries.

We recommend with warmth this volume of studies which is goes in line with the tradition of museum research of the National Museum of History of Moldova.

Dr. hab. Elena Ploșnița