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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour


“The train of pain”

The monument that is dedicated to the memory of the victims of the deportations of the communist regime (unofficially, also called the "Train of Pain") is a memorial that holds the memory of tens of thousands of Moldovans (Bessarabians) deported in the years 1940–1953 during the communist regime.

The location of the monument in the square of the Chisinau Railway Station has a special connotation: it was from here that most of the Bessarabians were forcibly taken to Siberia and Kazakhstan. Documentary materials about the deportees and their families are included in four volumes of the Memory Book. The volumes contain data on individuals subjected to repression (name, surname of the repressed, year of birth, place of origin, year and reason for repression, place of detention (deportation), data on rehabilitation) in the municipalities and districts of the Republic of Moldova. The documentary material is structured according to the administrative-territorial division of the Republic of Moldova until 12.11.1998. Within the district, the materials are distributed by communes, within the commune - in alphabetical order and respecting the chronology of repressions. To ensure maximum accessibility, the Memory Book has been digitized and encoded in a QR Code.

The monument is made by the sculptor Iurie Platon. The inauguration of the monument took place on August 23, 2013. The bronze sculpture is 3 meters high, 12 meters long and weighs 15 tons.

IURIE PLATON

Painter, ceramist, sculptor, organizer of numerous international projects of intercultural exchanges, teacher of art education,

visual artist with work in public and private collections from all around the world,

awarded with prestigious prizes and distinctions at contemporary art competitions.

Studies:

1974 – 1981 Republican High School of Fine Arts Igor Vieru, class of Professor Victor Marinescu, Chisinau

1982 – 1987 Institute of Arts, class of teachers Eve Mardna, Leo Rohlin, Tallinn, Estonia, Specialization: Fine and Applied Arts

Devotion:

1985 He made his creative debut with painting at the Youth Theater, Tallinn, Estonia

1987 The republican exhibition of decorative art participates with the work Memories

1987 Full member of the Association of Young Visual Artists and Art Critics of the USSR Union of Fine Artists

1991 Full member of the Union of Visual Artists of the Republic of Moldova

1997, 1998 Initiator and organizer of the International Symposium of small bronze sculpture, Chisinau

1996, up until now he continues to be an freelance visual artist in Germany and the Republic of Moldova

Teaching activity in art education:

1987 – 1996 P Professor at the Academy of Music, Theater and Fine Arts, Chisinau. He led the first class of graduates at the ceramics department, of which Oleg Dobrovolschi, Elena Mogorean, Ion Niţa, Vladimir Tabac integrated in the contemporary creative process.

2000, 2003, 2008 Professor of stone sculpture at the Summer Academy at the An der Copelschleuse Creation Center, Meppen, Germany

2005 Outdoor painting teacher at courses organized by the Imbert Gallery, Aix-en-Provance, France

Solo Exhibitions:

From the beginning of his artistic activity up until now, he carries out an extensive creative activity, accumulating in his record more than 60 personal and group exhibitions in the country and abroad: Argentina, Austria, Bulgaria, Czech Republic, France, Germany, Italy, Japan, Lithuania, Macedonia, Moldova, Romania, Russia, Spain, Sweden, Hungary.

Monumental works for public:

Argentina, Czech Republic, Germany, Republic of Moldova, Romania

Works in public and private collections:

Argentina, Czech Republic, Estonia, Germany, Republic of Moldova, Romania

Distinctions / scholarships:

1991 Youth Prize for Fine Arts, awarded by the Ministry of Youth and Sports of the Republic of Moldova

1994 Iulian Antonescu Museum Complex Award, Bacău, Romania

1996 Lotus Company Award, Romania - awarded at the exhibition-contest of contemporary art Salons of Moldova: Romania-Republic of Moldova

1997 First Prize of the Radio Free Europe Sculptors Symposium, Czech Republic

2000, 2003, 2008 Scholarship awarded by the An der Copelschleuse Creative Center, Meppen, Germany

2006 Scholarship awarded by the International Confederation of Visual Artists' Unions of Moscow at the Cité Internaionali des Arts, Paris, France

2009 Prize of the Union of Visual Artists of the Republic of Moldova

2009 First prize in the competition for the construction of the monument in memory of the victims of Stalinist reprisals, Chisinau

2011 Diploma of the Ministry of Culture of the Republic of Moldova at the International Biennial of Painting, Chisinau



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC