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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


“The train of pain”

The monument that is dedicated to the memory of the victims of the deportations of the communist regime (unofficially, also called the "Train of Pain") is a memorial that holds the memory of tens of thousands of Moldovans (Bessarabians) deported in the years 1940–1953 during the communist regime.

The location of the monument in the square of the Chisinau Railway Station has a special connotation: it was from here that most of the Bessarabians were forcibly taken to Siberia and Kazakhstan. Documentary materials about the deportees and their families are included in four volumes of the Memory Book. The volumes contain data on individuals subjected to repression (name, surname of the repressed, year of birth, place of origin, year and reason for repression, place of detention (deportation), data on rehabilitation) in the municipalities and districts of the Republic of Moldova. The documentary material is structured according to the administrative-territorial division of the Republic of Moldova until 12.11.1998. Within the district, the materials are distributed by communes, within the commune - in alphabetical order and respecting the chronology of repressions. To ensure maximum accessibility, the Memory Book has been digitized and encoded in a QR Code.

The monument is made by the sculptor Iurie Platon. The inauguration of the monument took place on August 23, 2013. The bronze sculpture is 3 meters high, 12 meters long and weighs 15 tons.

IURIE PLATON

Painter, ceramist, sculptor, organizer of numerous international projects of intercultural exchanges, teacher of art education,

visual artist with work in public and private collections from all around the world,

awarded with prestigious prizes and distinctions at contemporary art competitions.

Studies:

1974 – 1981 Republican High School of Fine Arts Igor Vieru, class of Professor Victor Marinescu, Chisinau

1982 – 1987 Institute of Arts, class of teachers Eve Mardna, Leo Rohlin, Tallinn, Estonia, Specialization: Fine and Applied Arts

Devotion:

1985 He made his creative debut with painting at the Youth Theater, Tallinn, Estonia

1987 The republican exhibition of decorative art participates with the work Memories

1987 Full member of the Association of Young Visual Artists and Art Critics of the USSR Union of Fine Artists

1991 Full member of the Union of Visual Artists of the Republic of Moldova

1997, 1998 Initiator and organizer of the International Symposium of small bronze sculpture, Chisinau

1996, up until now he continues to be an freelance visual artist in Germany and the Republic of Moldova

Teaching activity in art education:

1987 – 1996 P Professor at the Academy of Music, Theater and Fine Arts, Chisinau. He led the first class of graduates at the ceramics department, of which Oleg Dobrovolschi, Elena Mogorean, Ion Niţa, Vladimir Tabac integrated in the contemporary creative process.

2000, 2003, 2008 Professor of stone sculpture at the Summer Academy at the An der Copelschleuse Creation Center, Meppen, Germany

2005 Outdoor painting teacher at courses organized by the Imbert Gallery, Aix-en-Provance, France

Solo Exhibitions:

From the beginning of his artistic activity up until now, he carries out an extensive creative activity, accumulating in his record more than 60 personal and group exhibitions in the country and abroad: Argentina, Austria, Bulgaria, Czech Republic, France, Germany, Italy, Japan, Lithuania, Macedonia, Moldova, Romania, Russia, Spain, Sweden, Hungary.

Monumental works for public:

Argentina, Czech Republic, Germany, Republic of Moldova, Romania

Works in public and private collections:

Argentina, Czech Republic, Estonia, Germany, Republic of Moldova, Romania

Distinctions / scholarships:

1991 Youth Prize for Fine Arts, awarded by the Ministry of Youth and Sports of the Republic of Moldova

1994 Iulian Antonescu Museum Complex Award, Bacău, Romania

1996 Lotus Company Award, Romania - awarded at the exhibition-contest of contemporary art Salons of Moldova: Romania-Republic of Moldova

1997 First Prize of the Radio Free Europe Sculptors Symposium, Czech Republic

2000, 2003, 2008 Scholarship awarded by the An der Copelschleuse Creative Center, Meppen, Germany

2006 Scholarship awarded by the International Confederation of Visual Artists' Unions of Moscow at the Cité Internaionali des Arts, Paris, France

2009 Prize of the Union of Visual Artists of the Republic of Moldova

2009 First prize in the competition for the construction of the monument in memory of the victims of Stalinist reprisals, Chisinau

2011 Diploma of the Ministry of Culture of the Republic of Moldova at the International Biennial of Painting, Chisinau



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC