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#Exhibit of the Month

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Bronze cauldrons of the Scythian time are rare in the Northern Black Sea region, especially on its western borders. Therefore, those few items found on the territory of the Republic of Moldova occupy a worthy place in the collection of the National Museum of History of Moldova (NMHM). In particular, in the archaeological exhibition, two bronze cauldrons are displayed, discovered near the village of Nicolscoe in 1988 in burial mounds no. 14 and 15. In addition, in 2020, two bronze cauldrons without any accompanying documents were found in the collection of NMHM; however, they were visually identified as coming from various excavations in the Low Dniester region, such as burial mound no. 45 near Dubăsari and burial mound no. 1 near the Răscăieții Noi village.

The object presented as the exhibit of the month is a little-known find discovered in 1979 in barrow 1 near the village of Răscăieții Noi in the Ștefan Vodă district. In addition to its outstanding size (about 10 m high), this mound is known for discovering a cast bronze finial in the Scythian animal style on its surface in 1953. However, by the beginning of excavations, the locals had damaged part of the mound and a Scythian cast bronze cauldron was found near it. The cauldron was seriously damaged by mechanical impact, as a result of which the rim was deformed, and the walls, with one preserved vertical handle, were bent inwards. Fragments in the upper part of the body and one handle have been lost. The total reconstructed height of the cauldron is 24 cm (excluding the handles), the reconstructed diameter of the hemispherical cauldron is 30 cm, and the weight is 6.5 kg. In 2020, data on the chemical composition of the bronze cauldron alloy were obtained, revealing that it was cast from an alloy of almost 95 per cent copper. Unfortunately, due to the loss of information on the context of the discovery of the cauldron at Răscăieții Noi, it is impossible to link its discovery with one or another Scythian burial of the barrow. Moreover, the grave goods of other Scythian burials of Barrow 1 do not allow them to date below the 4th century BC. However, the cauldron with vertical handles from Răscăieții Noi most likely belongs earlier. This may be indicated by a bronze finial from the first half of the 5th century BC, which was found on this barrow in 1953. In addition, burial 7 from the nearest excavated barrow 2 at Răscăieții Noi, containing a plaque depicting a rolled predator (a copy of which is also on display at the NMHM), belongs to the mid- 5th century BC. Thus, there is a high probability that the cauldron from Barrow 1 at Răscăieții Noi is associated with the late Middle Scythian period or the mid-5th century BC.

Scythian bronze cauldrons in the west area are concentrated in three main regions: Bukovina-Podolia, the Lower Danube, and the Lower Dniester. Some Scythian cauldrons have no reliable archaeological context. Nevertheless, in combination with the same "stray" finds like the Scythian statues, the finds of Scythian cauldrons mark the Scythian presence, most likely not earlier than the late 6th century or even the turn of the 6th-5th centuries BC. The cauldrons first appeared in Bukovina, where they have been known since the middle of the 7th century BC. Bronze cauldrons (with their carriers) entered the steppe region 150-200 years later, and the "military" burials that appeared in the western steppe regions were no earlier than the middle of the 5th century BC. Most burials with cauldrons (and, apparently, the stray finds) are dated back to the second half of the 5th century BC. Then, in the early 4th century BC, their quantity was reduced, and after the first quarter of the 4th century BC, they completely disappeared from the cultural practice of the population of the steppes of the North-Western Black Sea region.

Virtual Tour


Exhibitions

“Among posters and musical instruments”

June 27, 2019 - November 23, 2020

 
The exhibition Among posters and musical instruments is the result of the research and valorization of the collection of posters (about a thousand pieces) and musical instruments from the collections of the National Museum of History of Moldova. Through its approximately 80 posters and 50 musical instruments, selected according to a chronological, typological and diversity criteria, the museum institution fulfills its obvious function to preserve in time and valorize the cultural heritage which includes posters and musical instruments. Established over several decades during the 20th century from donations and acquisitions, the poster collection is a short chronicle of Moldovan musical events from the East of Prut between 1900-2010. It is a pioneering exhibition, the collection of musical posters being displayed for the first time, and aims to familiarize the public with the evolution of the musical poster as advertising support of documentary and artistic value, but also as a work of art. The diversity of the collection of musical instruments, some with particular memorial value, allows us to follow and fill in the creative biography of artists, but also the existence of a musical piece in time.

The evolution of the musical poster both chronologically and as composition, form and content was structured into four categories: the musical poster from the Tsarist period (1812-1918), the interwar period (1918-1944), the Soviet period (1944-1991) and the musical poster from the period of independence of the Republic of Moldova. The oldest music program poster in the collections of the museum dates back to the 19th century and it is an announcement of the concert of the baritone V. Anenkov at the Nobility Club in Chişinău on February 6, 1900. The musical poster of the interwar period, modest as number, is valuable through generous information, where we can identify musical events, valuable interpreters, and places where musical performances were given. The Soviet-era musical poster was different from the previous ones in color, but also in text, as they also had an ideological role. In the early 90ies of the 20th century, the poster is varied in shape, chromatics, rich in images (with pictures of performing artists), but modest as informative text.

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The most valuable category of musical posters is those of classical music (symphonic, choral, instrumental, vocal) represented by the most famous orchestras of the time: Symphonic Orchestra of the State Philharmonic, National Symphonic Orchestra of „Teleradio Moldova" Company, National Chamber Orchestra, Academic Chapel „Doina", etc. A special message is offered by the posters of the popular folk music orchestras, which contributed to preserving and promoting the folk music: „Mugurel", „Fluieraş", „Folclor", „Lăutarii", the ethnofolkloric group „Tălăncuţa" etc. The collection includes posters of music groups and interpreters of popular music „Noroc", „Orizont", „Plai", „Legenda", „Colinda" etc., as well as posters of various festivals, contests and tours. In the musical atmosphere of the exhibition there is a beautiful collection of musical instruments, some of them of memorial value: the violin of the famous Bessarabian Gheorghe Heraru (1853-1920) and the violin of the master Sergei Lunchevici (1934-1995). The elegance of the music is also transmitted by the pieces of clothing that belonged to some personalities who left an important page in the history of the musical culture of the Republic of Moldova.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Bronze cauldrons of the Scythian time are rare in the Northern Black Sea region, especially on its western borders. Therefore, those few items found on the territory of the Republic of Moldova occupy a worthy place in the collection of the National Museum of History of Moldova (NMHM)...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC