#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

“Fighting and suffering: Polish citizens during World War II”

Poland remembers the tragedy of the war

November 2-30, 2019

Eighty years after the outbreak of World War II, Poland, its first victim, recalls the most dramatic armed conflict in world history. The exhibition which will be open in the hall of the National Museum of History of Moldova in Chișinău until the end of November speaks about this historical event.

The exhibition "Fighting and suffering. The Polish citizens during World War II" presents the fate of Poland during the war, which, on September 1, 1939, was attacked by Germany, and on September 17, by the Soviet Union.

Despite the numerical superiority of the occupiers, the Poles have had, throughout the entire world war, a strong armed resistance, both on the territory of their country and on other fronts and battlefields around the world.

The exhibition has on display 16 panels which present the most important moments from those days. Great attention is paid to the destinies of the civilian population. This rich material is represented by archive photographs obtained from the archives of different countries, including from the Romanian collections.

The story of the war drama, which was prepared by one of the most modern museums in the world - the World War II Museum in Gdansk, as well as by the Ministry of Foreign Affairs of the Polish Republic, will be presented in over 60 countries of the world.

The Polish Institute in Bucharest has prepared the Romanian version, enriching it with topics related to the Polish-Romanian relations during World War II, but also with photos obtained from the National Archives of Romania, which illustrates the lives of 60-100 thousand Polish refugees in Romania.

The exhibition has already been presented in the Romanian Senate in Bucharest, at the Museum of Bucovina in Suceava, as well the Museum of the Palace of Culture in Iași, at the initiative of the Polish Institute in Bucharest.

The Ambassador of the Polish Republic to Moldova, Bartlomiej Zdaniuk and the Deputy Director of the Polish Institute in Bucharest, Wojciech Mrozovsky, at the presentation of the exhibition on 15 November 2019, stressed the importance of intercultural relations between the Republic of Moldova and the Polish Republic as well as the need for such events for the contemporary society.

The drama of the Polish people during the second world conflagration, victim of the aggressive and expansionist politics of two totalitarian regimes - Nazi and Bolshevik - remains a broad and very actual topic.

The National Museum of History of Moldova, Chișinău, the hall on the ground floor, November 2-30, 2019. Free admission.