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We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.


Virtual Tour


Exhibitions

"Maria Cebotari: Life and Work"

June 3–13, 2025

The exhibition Maria Cebotari: Life and Work is a tribute to the renowned singer and actress of international stature, marking the 115th anniversary of her birth. It features approximately 140 photographs, documents, personal belongings, awards, books, artworks, and testimonies that reconstruct the most significant stages of the diva's artistic and personal life. A large portion of these items were collected by her friend Hanna Schliesser and donated to the National Museum of History of Moldova by Maria Cebotari's son, Fritz Curzon-Diessl. The exhibition's cultural value is further enriched by contributions from distinguished personalities such as academician A. Dănilă, artist L. Sainciuc, and S. Pilipețchi, a soloist at the Maria Bieșu National Opera and Ballet Theatre.

Born on February 10, 1910, in Chișinău, Maria Cebotari displayed vocal talent from an early age, singing in the choir of the Nativity Cathedral under the guidance of Father Mihail Berezivschi. Between 1924 and 1928, she studied at the Unirea Conservatory in Chișinău, training in vocal performance with M. Zlatova, A. Dicescu, and G. Afanasiu-Gabrielli. In 1928, together with her future husband, actor A. Vârubov, she moved to Europe, where she embarked on her career. Accepted into the Dresden Opera ensemble, she made her debut on April 15, 1931, in Puccini's La Bohème, and from 1934, she began performing at the Berlin State Opera. That same year, at just 24 years old, she was awarded the title of Kammersängerin, becoming the youngest recipient in vocal history, astonishing audiences with the breadth of her repertoire in terms of time periods, styles, and genres. 

Maria Cebotari also distinguished herself in cinema, appearing in ten films-most of them musicals-where she played leading roles or performed as a singer. On set, she collaborated with prominent figures such as director C. Gallone, actors G. Diessl and F. Giachetti, tenor B. Gigli, and others. 

In 1937, during the filming of Strong Hearts, Maria Cebotari starred alongside Austrian actor and former painter Gustav Diessl, who became her second husband. Their marriage resulted in two sons: Peter (born 1941) and Fritz (born 1946).  Maria Cebotari's performances graced the stages of Dresden, Berlin, Vienna, and Salzburg, as well as opera houses in Prague, Riga, Amsterdam, Brussels, Paris, Venice, Rome, Stockholm, and Basel. The final stage of her career was at the Vienna Opera. 

On June 9, 1949, Maria Cebotari passed away prematurely and was laid to rest in the Diessl family crypt at Döbling Cemetery in Vienna. 

Her extraordinary talent, unwavering determination, and thirst for life gave rise to the cultural phenomenon of Maria Cebotari, which remains a vital part of both national and European cultural heritage.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC