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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour


Exhibitions

"Maria Cebotari: Life and Work"

June 3–13, 2025

The exhibition Maria Cebotari: Life and Work is a tribute to the renowned singer and actress of international stature, marking the 115th anniversary of her birth. It features approximately 140 photographs, documents, personal belongings, awards, books, artworks, and testimonies that reconstruct the most significant stages of the diva's artistic and personal life. A large portion of these items were collected by her friend Hanna Schliesser and donated to the National Museum of History of Moldova by Maria Cebotari's son, Fritz Curzon-Diessl. The exhibition's cultural value is further enriched by contributions from distinguished personalities such as academician A. Dănilă, artist L. Sainciuc, and S. Pilipețchi, a soloist at the Maria Bieșu National Opera and Ballet Theatre.

Born on February 10, 1910, in Chișinău, Maria Cebotari displayed vocal talent from an early age, singing in the choir of the Nativity Cathedral under the guidance of Father Mihail Berezivschi. Between 1924 and 1928, she studied at the Unirea Conservatory in Chișinău, training in vocal performance with M. Zlatova, A. Dicescu, and G. Afanasiu-Gabrielli. In 1928, together with her future husband, actor A. Vârubov, she moved to Europe, where she embarked on her career. Accepted into the Dresden Opera ensemble, she made her debut on April 15, 1931, in Puccini's La Bohème, and from 1934, she began performing at the Berlin State Opera. That same year, at just 24 years old, she was awarded the title of Kammersängerin, becoming the youngest recipient in vocal history, astonishing audiences with the breadth of her repertoire in terms of time periods, styles, and genres. 

Maria Cebotari also distinguished herself in cinema, appearing in ten films-most of them musicals-where she played leading roles or performed as a singer. On set, she collaborated with prominent figures such as director C. Gallone, actors G. Diessl and F. Giachetti, tenor B. Gigli, and others. 

In 1937, during the filming of Strong Hearts, Maria Cebotari starred alongside Austrian actor and former painter Gustav Diessl, who became her second husband. Their marriage resulted in two sons: Peter (born 1941) and Fritz (born 1946).  Maria Cebotari's performances graced the stages of Dresden, Berlin, Vienna, and Salzburg, as well as opera houses in Prague, Riga, Amsterdam, Brussels, Paris, Venice, Rome, Stockholm, and Basel. The final stage of her career was at the Vienna Opera. 

On June 9, 1949, Maria Cebotari passed away prematurely and was laid to rest in the Diessl family crypt at Döbling Cemetery in Vienna. 

Her extraordinary talent, unwavering determination, and thirst for life gave rise to the cultural phenomenon of Maria Cebotari, which remains a vital part of both national and European cultural heritage.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC