#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

Virtual Tour

Exhibitions

“Magic of Lights of Other Times”

May 18, 2022 – December 31, 2022

The temporary exhibition "Magic of Lights of Other Times" is the result of research and scientific development of the collection of lighting fixtures from the National Museum of History of Moldova.

The exhibition presents a variety of forms and types of devices that reflect the evolution and role of artificial lighting in everyday and spiritual life. It brings together more than fifty authentic objects of scientific, historical, commemorative and aesthetic value, which form the basis of the exhibition; these pieces came into the museum's collections through transfers, purchases and donations and date back to the period from the 5^th-4^th centuries BC to the 1990s. Many of these authentic pieces have undergone a process of restoration and conservation.

The exhibition takes us back to the past of this "miracle", providing an opportunity to leaf through the history of the evolution of indoor and outdoor artificial lighting by the display of a variety of light sources: hearth fire, torch, oil lamp, made of ceramic and metal. This is followed by candlesticks, which, in terms of their functionality and symbolism, served and continue to serve as a support for light, being used in church and secular environments. A candle, initially made of animal fat with a cane wick, then of beeswax and cotton or hemp thread, was easy to use and simple and economical to manufacture compared to other devices, helped to create a whole family of different lamps. The typological range of fixtures continues with a variety of gas and electric table lamps, some of which bear the brand of the manufacturer: Otto Muller, Berlin, Ehrich &Graetz Berlin, Anna Brenner (Germany), Brunner, Schneider, Ditmar (Warsaw), Triumph (France), and others. With the beginning of the process of modernization of society, table and ceiling chandeliers began to be used more and more, differing in material, size, style and elegance. Although in small quantities, professional lighting devices are also presented at the exhibition: lanterns used by miners in underground mines and lanterns of railway workers. Among the portable lanterns are those for everyday use, called "Bat" after the name of the German company "Fledermaus" that produced them, which were used for lighting at night. Lanterns played an important role in illuminating public places, initially by burning animal fat, with which the wick was impregnated, and later gas lanterns appeared, which illuminated only central or commercial roads.

Noteworthy are objects that, in addition to their historical, scientific and artistic value, also have memorial significance. Here we should mention the silver candlestick that belonged to the family of the Bessarabian writer Constantin Stamati, the kerosene ceiling lamp from the prominent politician and philanthropist Vasile Stroescu's mansion in the village of Brânzeni, Edineț district, the electric table lamp of Academician Nicolae Dimo, the night lamp of film director Valeriu Gagiu and the table lamp of conductor B. Milyutin.

The exhibition is complemented by thematic photographs and reconstructions of mini-interiors with artificial lighting.

The temporary exhibition "Magic of Lights of Other Times" can be visited from May 18, 2022 to December 31, 2022.