#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

“Magic of Lights of Other Times”

May 18, 2022 – December 31, 2022

The temporary exhibition "Magic of Lights of Other Times" is the result of research and scientific development of the collection of lighting fixtures from the National Museum of History of Moldova.

The exhibition presents a variety of forms and types of devices that reflect the evolution and role of artificial lighting in everyday and spiritual life. It brings together more than fifty authentic objects of scientific, historical, commemorative and aesthetic value, which form the basis of the exhibition; these pieces came into the museum's collections through transfers, purchases and donations and date back to the period from the 5^th-4^th centuries BC to the 1990s. Many of these authentic pieces have undergone a process of restoration and conservation.

The exhibition takes us back to the past of this "miracle", providing an opportunity to leaf through the history of the evolution of indoor and outdoor artificial lighting by the display of a variety of light sources: hearth fire, torch, oil lamp, made of ceramic and metal. This is followed by candlesticks, which, in terms of their functionality and symbolism, served and continue to serve as a support for light, being used in church and secular environments. A candle, initially made of animal fat with a cane wick, then of beeswax and cotton or hemp thread, was easy to use and simple and economical to manufacture compared to other devices, helped to create a whole family of different lamps. The typological range of fixtures continues with a variety of gas and electric table lamps, some of which bear the brand of the manufacturer: Otto Muller, Berlin, Ehrich &Graetz Berlin, Anna Brenner (Germany), Brunner, Schneider, Ditmar (Warsaw), Triumph (France), and others. With the beginning of the process of modernization of society, table and ceiling chandeliers began to be used more and more, differing in material, size, style and elegance. Although in small quantities, professional lighting devices are also presented at the exhibition: lanterns used by miners in underground mines and lanterns of railway workers. Among the portable lanterns are those for everyday use, called "Bat" after the name of the German company "Fledermaus" that produced them, which were used for lighting at night. Lanterns played an important role in illuminating public places, initially by burning animal fat, with which the wick was impregnated, and later gas lanterns appeared, which illuminated only central or commercial roads.

Noteworthy are objects that, in addition to their historical, scientific and artistic value, also have memorial significance. Here we should mention the silver candlestick that belonged to the family of the Bessarabian writer Constantin Stamati, the kerosene ceiling lamp from the prominent politician and philanthropist Vasile Stroescu's mansion in the village of Brânzeni, Edineț district, the electric table lamp of Academician Nicolae Dimo, the night lamp of film director Valeriu Gagiu and the table lamp of conductor B. Milyutin.

The exhibition is complemented by thematic photographs and reconstructions of mini-interiors with artificial lighting.

The temporary exhibition "Magic of Lights of Other Times" can be visited from May 18, 2022 to December 31, 2022.