#Exhibit of the Month

This unusual object of the Scythian period was found in 1953 by a village teacher A.I. Shiryaev at the top of a mound near the village of Răscăieţii Noi in the Ştefan Vodă District. A quarter of a century later, excavations in 1979 revealed that this outstanding mound (about 10 m high and more than 40 m in diameter) was erected in the Early Bronze Age, at the beginning of the 3rd millennium BC. Then, two thousand years later, there were buried Scythians, with which, apparently, other finds are associated, a cauldron and a finial, cast in bronze.

The finial from Răscăieţii Noi is one of the items made in the Scythian animal style, a special manner of decoration that spread along with the culture of the early nomads of Eurasia from Central Europe to the Black Sea region and the Caucasus, from the Volga region to southern Siberia, from Central Asia to Mongolia and northern China. However, in spite of the general Eurasian coverage, the artifact from Răscăieţii Noi contains features characteristic mainly of Eastern Europe. Firstly, it was the Eastern European nomads who preferred to portray both daytime birds of prey (Falconiformes) and individual parts of their body: their head or beak. Secondly, the "European" bestiary of the Scythian animal style (as opposed to the "Asian" Scythian-Siberian bestiary) often includes fantastic animals (and their various "artistic transformations") that came here under the influence of the cultures of the Middle East. Thus, the "fantastic" image of the Răscăieţii Noi artifact is given by a beak bent in one and a half turns, which does not happen in nature. Thirdly, the very shape of the object is characteristic only for the North Caucasus, the steppes of the Black Sea region and the Ukrainian forest-steppe.

Such finials were interpreted as symbols of power, as a kind of standard banners, and even as decorations for the masts of ships. However, most researchers consider them to be associated with funeral processions, most likely to decorate funeral canopies, carts or chariots. The latter version seems to be the most preferable, especially since similar decorations are found on the images of the chariots of the Middle East. In terms of style, the artifact from Răscăieţii Noi is associated with finials from the mounds of the Ukrainian forest-steppe and the North Caucasus, however, performed in a more realistic manner. It seems that the specimen from Răscăieţii Noi shows further stylization of the image, reaching its highest stage, when the beak is only guessed in the curls of the upper part of the finial, but the pronounced cere and relief eye still emphasize the resemblance to the head of a bird of prey. From the middle of the 5th century BC things made in such a stylized manner penetrate into the steppes of the Black Sea region, including the bank of the Dniester in its lower reaches, where the finial was found near the village of Răscăieţii Noi.

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National Museum of History of Moldova

Exhibitions

„Mapping the Black Sea”
(The Black Sea in the European Cartography)

June 18-30 2021

The earliest cartographic evidence of the Black Sea coast in antiquity is the map of the Black Sea made on the leather covering a shield from 230-240 AD. It was discovered during archaeological excavations of the fortress of Dura Europos on the Euphrates River in Syria. It predates the so called Tabula Peutingeriana (4th c.), an itinerary or guide produced by Roman engineers.

The development of commerce and navigation in the Mediterranean basin, carried out mainly by Italian city states of Venice, Genoa, Ancona, and Amalfi,required the creation of portolans, which described the ports, connections and distances between them and the easiest access routes. The most renowned masters of navigational charts were Petrus Vesconte from Genoa, Angelino de Delorto and Guillelmo Soleri from Majorca, among others. Hence map-makers' workshops in Venice, Genoa, Pisa, Amalfi and Majorca established the foundations of modern European cartography.

Abraham Ortelius was among the first Europeans to create historical maps, including one of the Black Sea. Conceptions of the Black Sea Coast in the 16th-18th c. appeared in the works of many European mapmakers, cartographers' guilds and workshops. Famous map-makers notable for their achievements include Nicolas and Guillaume Sanson, Guillaume de l'Isle, Johann Baptist Homann, Isaak Tirion, and Johann van der Bruggen.

The maps and geographic descriptions presented in the exhibition show that throughout the ages there were economically and scientifically minded people - scientists, sailors, ecclesiastics, merchants and military men - who overcome all obstacles and prohibitions for the sake of collecting, analyzing and providing information and knowledge, oriented not to the human faith, but to the humanist mind.

The exhibition is organized in the frame of the project "Black Sea Archaeology, History and Culture Portal (ArHiCuP) under the Joint Operational Programme Black Sea Basin 2014-2020, co-financed by the European Union through the European Neighborhood Instrument. The partners in the project are: Museum of National History and Archeology Constanta, National Museum of History of Moldova and Municipality of Nessebar.

The exhibition will be displayed in the National Museum of History of Moldova between 18 and 30 June 2021.