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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

"Memory of an Undeclared War" (2012)

 
On March 2, 1992, when the President of the Republic of Moldova Mircea Snegur was speaking at the plenary session of UN General Assembly the speech of thanks on the occasion of receipt of Moldova to the United Nations, groups of guardsmen and Cossacks armed with submachine guns and armored cars stormed the district police department headquarters at Dubăsari. The first victims were killed. To the south, in Vulcănești, another armed group attacked the police district headquarters. The same happens simultaneously to Bender, Grigoriopol, and Cocieri... Mentions and more detailed reviews of those dramatic events can be found in various sources: albums, books, collections of documents, memoirs, newspaper accounts. The commemorative exhibition "Memory of an Undeclared War" offers us a photo-documentary chronicle of this war.

It was conceived as a tribute to all participants in the struggle to protect the integrity and independence of the Republic of Moldova and, above all, those who sacrificed their lives for the freedom of the motherland. The exhibition brings together over 250 museum objects: photographic images, fragments of arms and ammunition collected from the battlefield, documents and personal objects of the combatants fallen in the fighting on the Dniester, books and newspapers that depict cruel realities of the war.

Stunning images made by photographers N. Pojoga, M. Venger, T. Iovu, A. Mardare, S. Voronin, T. Anghel and some others reflect the ordeal the defenders of Moldova have gone through in the battles of Dubăsari and Tighina, on the plateaus of Cocieri and Coșnița, they immortalized heroism and courage of the Moldavian policemen and volunteers and showed hardships and humiliations of the war, destroyed families, homes and villages in ruins, faces of women and children distorted with pain of loss of those they loved.

A separate section of the exhibition is dedicated to police officers killed in the fighting for the independence and integrity of the Republic of Moldova.

The content of the exhibition is complemented by a collection of papers and memoirs about the armed conflict on the Dniester signed by researchers, participants and eyewitnesses of the events: Valentina Ursu, Ilie Ilașcu, Mircea Radu Iacoban, General Ion Costaș, Colonel Anatol Munteanu, Anatolie Moraru, Nicolae Ciubotaru, Gh. Budeanu, Vlad Grecu, and others.

The exhibition "Memory of an Undeclared War" is organized in commemoration of the 20th anniversary of the armed conflict on the Dniester and is dedicated to all defenders of the integrity and independence of the Republic of Moldova.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC