#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

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Exhibitions

"Memory of an Undeclared War" (2012)

On March 2, 1992, when the President of the Republic of Moldova Mircea Snegur was speaking at the plenary session of UN General Assembly the speech of thanks on the occasion of receipt of Moldova to the United Nations, groups of guardsmen and Cossacks armed with submachine guns and armored cars stormed the district police department headquarters at Dubăsari. The first victims were killed. To the south, in Vulcănești, another armed group attacked the police district headquarters. The same happens simultaneously to Bender, Grigoriopol, and Cocieri... Mentions and more detailed reviews of those dramatic events can be found in various sources: albums, books, collections of documents, memoirs, newspaper accounts. The commemorative exhibition "Memory of an Undeclared War" offers us a photo-documentary chronicle of this war.

It was conceived as a tribute to all participants in the struggle to protect the integrity and independence of the Republic of Moldova and, above all, those who sacrificed their lives for the freedom of the motherland. The exhibition brings together over 250 museum objects: photographic images, fragments of arms and ammunition collected from the battlefield, documents and personal objects of the combatants fallen in the fighting on the Dniester, books and newspapers that depict cruel realities of the war.

Stunning images made by photographers N. Pojoga, M. Venger, T. Iovu, A. Mardare, S. Voronin, T. Anghel and some others reflect the ordeal the defenders of Moldova have gone through in the battles of Dubăsari and Tighina, on the plateaus of Cocieri and Coșnița, they immortalized heroism and courage of the Moldavian policemen and volunteers and showed hardships and humiliations of the war, destroyed families, homes and villages in ruins, faces of women and children distorted with pain of loss of those they loved.

A separate section of the exhibition is dedicated to police officers killed in the fighting for the independence and integrity of the Republic of Moldova.

The content of the exhibition is complemented by a collection of papers and memoirs about the armed conflict on the Dniester signed by researchers, participants and eyewitnesses of the events: Valentina Ursu, Ilie Ilașcu, Mircea Radu Iacoban, General Ion Costaș, Colonel Anatol Munteanu, Anatolie Moraru, Nicolae Ciubotaru, Gh. Budeanu, Vlad Grecu, and others.

The exhibition "Memory of an Undeclared War" is organized in commemoration of the 20th anniversary of the armed conflict on the Dniester and is dedicated to all defenders of the integrity and independence of the Republic of Moldova.

#Exhibit of the Month

Easter-Themed Postcards

"Memory of an Undeclared War" (2012)

#Exhibit of the Month