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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


Exhibitions

„POSTER X POEM”

15 June - 26 July 2020

 
The POSTER X POEM exhibition in Chisinau is the first international exhibition within the framework of the POSTER X POEM project, which displays 30 posters inspired by contemporary poetry. The exhibition includes both the posters from the first POSTER X POEM exhibition held in Bucharest and works by Bessarabian artists and can be seen from June 15, on 31 August 1989 Street, no.121 A, on the fence of the National Museum of History of Moldova.

Started in Bucharest in March 2020, POSTER x POEM is an interdisciplinary project that brings together contemporary poets and artists. POSTER x POEM arrived in Chişinău on the initiative of AA +, which invited 14 contemporary poets and 14 artists from Bessarabia to participate.

The posters show poetic texts and their visual interpretation, their authors are the following creative duets: Alexander Vakulovski x Aliona Ciobanu, Moni Stănilă x Veronica Gorii, Paula Erizanu x Maks Graur, Veronica Ştefăneţ x Cristina Halp, Dan Negară x Anna Vasina, Hose Pablo x Sandul, Artur Cojocaru x Alex Escu, Anastasia Palii x Adrian Gavriliuc, Artiom Oleacu x Ecaterina Şălaru, Iulia Iaroslavski x Mihaela Mândru, Ion Buzu x Veronica Belous, Cristina Dicusar x Ana Grigorovscaia, Victor Tzvetov x Cristian Menumortu, Alexandru Cosmescu x Denis Foca.

The POSTER x POEM project was enthusiastically taken by Bessarabian poets. "I was very happy to participate in this project. I think that the interactions between artists of different genres of art are always welcome because they inspire new visions and perceptions", poet Veronica Ştefăneţ mentioned. Based on the concept of "carte blanche", each artist was offered a poem by a contemporary poet as a theme for creating a poster. The only requirement for the work was that the poem and name of the poet were on the poster. "I always thought that poets should be friends with artists, because it depends on them how poetry collections will look like. The next step is posters. Of course, I am glad that a poster will be created by a poem of mine. I can't wait to see it! I saw how a meeting of two artists created a spark. And it's even more beautiful that poetry begins from the street, and returns back to the street. Enjoy it!", poet Alexander Vakulovsky added.

POSTER x POEM started with a first online and offline exhibition on the fence of the National Art Museum of Romania in Bucharest. The first 16 posters of the project were presented in this exhibition, among the invited poets being Tara Skurtu, Dan Coman, Vasile Leac, Andrei Dosa, Mina Decu, Răzvan Ţupa, Teona Galgoţiu and Svetlana Cârstean.

POSTER X POEM believes that poetry must reach as many people as possible and for that it must come out of books and appear on walls and fences. The poster is the perfect medium to take poetry to the middle of the city, among people.

The project is initiated by GLITCH, a communication studio for cultural projects in Bucharest and arrived in Chisinau in collaboration with AA +, a non-formal initiative from Moldova, which focuses its activity around local and foreign visual culture.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC