#Exhibit of the Month

Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.

Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.

The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system.

The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia.
The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London.
The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit.
June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.

Virtual Tour

Exhibitions

“Science and Society in Bessarabia of the Modern Times”

(April 30 – October 1, 2010)

The exhibition is organized in partnership with the National Museum of Ethnography and Natural History, the National Library, and the Museum of Romanian Literature. The exhibition aims to familiarize the public with the history of science in Bessarabia in the modern times. For the first time there were combined and exhibited the most important museum collections reflecting the works and daily activity of Bessarabian scientists (documents, books, photographs, personal things, awards, etc.) Having been organized for familiarization of cultural and scientific values kept in different collections, the exhibition also has some collateral objectives:

-   making-up of estimative/evaluative inventory of the museum collections in the field of “the development of science” in Bessarabia in the 19th – early 20th centuries;

-   reconstruction of some exhibition segments presenting the evidences of the place and role of science in the development of Bessarabian society.

   Due to these 222 exhibits the visitors can discover a significant chapter in the history of the Bessarabian science in the modern times. The exhibition includes items which belonged to Alexandru Sturdza, Alexandru Hajdau, Costache Stamati, Alexis Nacu, Stefan Margela, Iacob Hancu, Bogdan P.Hasdeu, Polihronie Sircu, Alexander Yatsimirsky, Leon Casso, Arseny Stadnitsky, Zamfir Arbore, Ion Surucean, Axente Fruna. Being an expression of the creative power of several generation of the Bessarabians for more than a century, these valuable items (studies and research monographs, journals, annals of scientific societies, manuals) constitute an evidence of a great cultural raising in Bessarabia under the influence of Russian culture (after 1812). In a whole, the exhibits are an expression of a message through the works of high culture – the message of the resistance and victory of the Bessarabian Romanians in the time of the foreign domination.

   Scientific life in Bessarabia in the first half of the 19th century is presented in the exhibition through the activity of some scientific societies which had their headquarters in Odessa (Bessarabia was the administrative authority of the Governor-General of New Russia):

- The Imperial Agricultural Society of South Russa (1828) (the Bessarabian A. Sturdza was one of its establishers and its vice-president between 1833 – 1847);

- The Odessa Society of History and Antiquities (1839). In the journal of this society there were published many works written in the first half of the 19th century by the Bessarabians: Alexander Sturdza, Costache Stamati, Alexis Nacu, Carol and Matei Cotruta, Ion Surucean and others.

In the exhibition there are used a series of works written by foreign authors during the 19th century. These works constitute an impressive part of scientific research carried out by the imperial order in and about Bessarabia (A. Egunov, L. Berg, A. Zashchuk, P. Batyushkov, etc.). Simultaneously, there are exhibited works of Bessarabian authors, which were written or published in St. Petersburg, Moscow, Odessa, Bucharest (Stefan Margela, Iacob Hancu, Polihronie Sircu, Alexander Yatsimirsky, Leon Casso, Arseny Stadnitsky, Zamfir Arbore, etc). By the end of the 19th century the historical investigations carried out by several generations of Bessarabians resulted in delineation of research priorities:

-   Ion Surucean has laid the foundations of local epigraphy
-   Ion Halippa is the founder of local archive studies
-   A. Yatsivirsky and Polihronie Sircu are the founders of Bessarabian Slavic studies.
In the late 19th – early 20th centuries in Bessarabia there is a tendency of association in societies and scientific organizations. Their activities also are reflected in the exhibition:
-   Scientific Commission for Archives from Bessarabia (1898)
-   Historical and Archaeological Church Society (1904)
-   Society of Naturalists (1904), an exemplary centre of high scientific and practical organization in the field of agricultural research. Its activity is directly related to the establishment an activity of the Zemstvo Museum (collection of documents, photographs, entomological and ornithological exhibits). The work of the society is in line with local tradition in the field: College of Horticulture (1842) was the first agricultural research centre in Bessarabia (N. Mogilyansky, N. Zubovsky, N. Dimo, M. Pautynsky, P. Ungureanu).

Finally, in the exhibition there are presented a series of publications from 1912, original scientific papers, which are a national treasure (albums, calendars, studies, etc.). On the walls of the exhibition room there are photographs of the universities from St. Petersburg, Sorbonne, and Odessa; statutes of the scientific societies; a gallery of portraits of scientists from Bessarabia.

-Nicolai Dimo (in center) in his laboratory-