#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.

The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

Virtual Tour

Exhibitions

The compartment „Bessarabia in the first half of the 20th century”

(Permanent Exhibition “History and Civilization”)

This department of the exhibition is dedicated to the contemporary period of history and begins with a series of objects reflecting socio-cultural movements of the early 20th century, events of the World War I and the national movement in 1917, which culminated in the creation of the first Bessarabian parliament - the Country Council (Sfatul Tarii) and the unification of Bessarabia with Romania.

The compartment „Bessarabia in the first half of the 20th century”

The main events and persons who led first to the proclamation of independence from Russia on 24 January 1918 and then to unification with Romania on 27 March 1918 are presented in the museum exhibition: photos of Paul Gore, Alexei Mateevici, Nicolai Alexandri - the leaders of national movement in Bessarabia, photo images taken at the demonstrations in Chisinau and Balti in 1917 and a photo of the building where on 21 November of the same year the Country Council began its meetings. All these documents are of particular emotional resonance. The spirit of time is conveyed through the reconstruction of the editorial office of newspaper "Cuvant moldovenesc", an important organ of the national movement in Bessarabia.

The process of integration of the territory between the Prut and Dniester in political, economic, and cultural life of the unified Romania entailed important socio-economic transformations, but especially a large flourishing of culture and education. This is evidenced by the museum collections of photos, documents, books, medals and works of art. Among the most prestigious educational institutions of the time in the exhibition there are presented the "B.P. Hasdeu" Boys' Secondary School, the "Queen Maria" Girls' Secondary School, the "King Ferdinand" Military School, and of course the famous School of Fine Arts led by sculptor Alexander Plamadeala.

Many photos and playbills talk about the prodigious activity of the National Theatre in Bessarabia and highlight some prominent figures of political and cultural life of the interwar period, such as writer and politician Constantin Stere, composer Alexandru Cristea, director of the "Unirea" Conservatory Anastasia Dicescu, internationally renowned soprano Maria Cebotari, singer of opera houses from Vienna, Dresden and Berlin, opera singers Lidia Lipcovschi and Lidia Babici.