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#Exhibit of the Month

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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour


Exhibitions

"The Ukrainian universe of Maria Prymachenko in Chisinau"

May 10 – June 30, 2023

The Polish Institute in Bucharest will present on the fence of the National Museum of History of Moldova, an exhibition dedicated to the Ukrainian folk art artist Maria Prymachenko. It is an opportunity for our countries to express their support for Ukraine in these difficult days of the war. The exhibition "Ukrainian Universe of Maria Prymachenko" can be visited from May 10 to June 30, 2023.

The Museum of History and Ethnography in Ivankiv, located in the Kyiv region, burned down during the Russian invasion on February 27, 2022. In its collection were 25 works belonging to the Ukrainian artist Maria Prymachenko. Some of them managed to be saved by the inhabitants of the city, who took them out of the burning building.

The universe of naive painters is broken from reality, full of fantastic creatures and plants. For them, such a way of painting is absolutely normal. For us, however, trained in academic painting, studying a work that requires a lot of our attention and in-depth knowledge of plants, animals, and people challenges us to call upon our own intuition. So let's focus on Maria Prymachenko's paintings. They are beautiful, colourful, full of eccentric creatures and plants. There is nothing accidental in this, as Maria grew up in a family where all its members had artistic talent. Grandmother had specialized in dyeing Easter eggs, father had been an accomplished carpenter, and mother had enjoyed embroidery. All this entourage, the fact that she kept an eye on what her father was doing, the attraction to the ornaments on the embroideries and kilims of her mother's work had a strong impact on her art. In the rich ornamentation of Prymachenko's works, similar to that used in Ukrainian embroideries, we find the fantastic creatures mentioned above. There were voices that attributed their presence to the illness and suffering she went through. Maria had Heine-Medina disease, also called poliomyelitis or infantile paralysis, which undoubtedly had a strong impact on her psyche and affected her entire life, including her physical condition. Because of this, he only completed four primary grades, having practically no chance to become known to the general public.

The artist spent the last eight years of her life confined to bed. He painted, taught and received guests until his last moments. He died on August 18, 1997, in the same village where he was born. She was awarded the "Taras Shevchenko" National Award for services to the art of the USSR, and UNESCO declared 2009 as the Year of Maria Prymachenko. In his memory, a small planet was named "14624 Prymachenko". After visiting an exhibition of Prymachenko's works in Paris, Pablo Picasso said: "I bow before the artistic wonders of this brilliant Ukrainian."

The opening of the exhibition will take place on May 10, at 11:00 a.m., in the courtyard of the museum. The exhibition "Ukrainian Universe of Maria Prymachenko" can be visited on the fence of the National Museum of History of Moldova between May 10 and June 10, 2023, 31 August 1989 street, 121A.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
10 December – 19 December 2025
 
Exhibition ”Art Speaks Where the Voice Is Silent”
 
25 November – 19 December 2025
 
2 December 2025 – 4 January 2026
 
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
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Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC