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National Museum of History of Moldova
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#Exhibit of the Month

This unique amphora was found in 1984 during the excavations of the Şuri I settlement of the Cucuteni-Trypillia culture (5th-4th thousand BC), which existed in the Eneolithic era, in the mid-1st half of the 4th millennium BC, near the village of Şuri, Drochia District of the Republic of Moldova.

In the classifications of Cucuteni-Trypillian painted pottery, it belongs to a separate type distinguished by archaeologists, known in the special literature under various names: facial urns, amphorae with an ornament of the "owl face" type, amphorae with facial ornament, facial amphorae.

These names were given to the amphorae due to their peculiar ornament and their truncated-conical or rounded body that resembles the head of an owl (large circles on the sides of the handles are the eyes of a bird, and the handles are beaks), as well as due to attempts to hypothetically interpret the vessels as images of some two-faced or four-faced anthropomorphic, zoomorphic or ornithomorphic mythological creatures of the Cucuteni-Trypillian pantheon.

For the first time, amphorae with facial ornament appear in pottery assemblages of the Cucuteni-Trypillia community at the beginning of the 4th millennium BC, during the period of its highest flourishing, and are present later, as a separate type of tableware, in each of the dwellings of the settlements of this culture for about 700 subsequent years, until its collapse and disappearance from the historical arena in the last quarter of the 4th millennium BC.

The origin of the facial amphorae goes back to the anthropomorphic two-faced vessels with a rounded or spheroconical body, equipped with 2 or 4 handles, depicting two female figures standing with their backs to each other, which were used by the Cucuteni-Trypillians for centuries and were widely used in religious practices, representing, as is commonly believed, the main female deity of the Cucuteni-Trypillian pantheon - the Great Mother Goddess in her two different incarnations, who was also considered as the Deity of the Universe.

The study of vessels of this type indicates that, being a reflection of the cult of the Great Goddess and probably embodying cosmogonic ideas about the creation of the World from the elements and body parts of the Primordial Being (probably depicting this creature itself, possibly mixomorphic and like Aditi - the Divine Bull-Cow - androgynous), with their shape and ornament, the facial amphorae recreate the prevailing ideas of the Cucuteni-Trypillians about the structure of the Universe.

This is evidenced by the stylized features of anthropo- and zoomorphism, three-tier or two-tier division of the ornament vertically and four-tier division horizontally, the image of such cosmic universals as the Center and corners of the World, the Cosmic Mountain (Earth) and the Sky, the Tree of Life, the Sun, the Moon in various phases, etc. Often, images of animals, birds or their symbols are included in the ornamental system of the amphorae. There are also facial amphorae with two or four images of female deities with an indication of their particular characteristic functions. As with their prototypes, the anthropomorphic two-faced vessels, the most important ornamental zone in the facial amphorae is the space between the handles.

It is here that the ornament reflects one of the most significant themes of the Cucuteni-Trypillian religion, the theme of the connection between the Earth and Heaven.


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Exhibitions

„UNDER THE ALIEN SKIES: Lithuanian people in Soviet hard labor camps and exile in 1940-1958”

October 17-31, 2017

On Tuesday, September 17th, 2017, at 15:00 hours, at the National Museum of History of Moldova was opened the exhibition „UNDER THE ALIEN SKIES: Lithuanian people in Soviet hard labor camps and exile in 1940-1958". The exhibition is organized by the Museum of Genocide Victims from the Genocide and Resistance Research Centre of Lithuania.

The event was organized by the National Museum of History of Moldova in cooperation with the Embassy of the Republic of Lithuania to the Republic of Moldova through the State Program "Recovery and Historical Valorization of the Memory of Victims of the Totalitarian-Communist Regime in the Moldavian SSR in 1940-1953".

At the opening ceremony, moderated by the general director of the National Museum of History of Moldova, Eugen Sava, took the floor: Gheorghe Postică, Deputy Minister of Education, Culture and Research of the Republic of Moldova; Andrei Didenko, Adviser at the Lithuanian Embassy in Chisinau; Eugenijus Peikštenis, director of the Museum of Genocide Victims; Prof. univ. dr. hab. Anatol Petrencu, director of the State Program "Recovery and historical valorization of the memory of the victims of the totalitarian-communist regime in MSSR during the years 1940-1941 and 1944-1953"; Dr. Ludmila Cojocaru, project director of the State Program.

The aim of the exhibition is to tell the citizens of Europe, especially the young generation, about the crimes committed by the Soviet totalitarian regime on the territory of Lithuania. The exhibition was made with documents and materials from the Museums of Genocide Victims, the Special Archive and the Central State Archives of Lithuania from Vilnius, the Lithuanian National Museum, the Museum of Deportations, Exile and Resistance in Kaunas, the Alka Museum from Žemaitia Region and the Regional Museum of Tauragė.

The exhibits tell us about the organization of deportations, arrests with political substrates, the unbearable life of deportees and prisoners in the camps, working and living conditions. The 20 stands, arranged according to the thematic principle, reflect the most diverse aspects of the daily life of deportees and political prisoners: food, clothing, faith, etc. They reveal the differences in living conditions of exiled people compared to political prisoners in the camps. The emotion transmitted by images, letters, and documents related to the conditions of the political prisoners is increased by the motifs of barbed wire, which is obsessively repeated on the stands.

The exhibition was presented for the first time on June 21, 2011, at a meeting in the Parliament of Europe, with the title "Present and Past, Face to Face". That event was dedicated to the 70th anniversary of the beginning of deportations in Lithuania. Subsequently, the exhibition was presented in Poland, France and the United Kingdom, also in several cities and institutions in Lithuania.



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age

  
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#Exhibit of the Month

This unique amphora was found in 1984 during the excavations of the Şuri I settlement of the Cucuteni-Trypillia culture (5th-4th thousand BC), which existed in the Eneolithic era, in the mid-1st half of the 4th millennium BC, near the village of Şuri, Drochia District of the Republic of Moldova. In the classifications of Cucuteni-Trypillian painted pottery, it belongs to a separate type distinguished by archaeologists, known in the special literature under various names: facial urns, amphorae with an ornament of the "owl face" type, amphorae with facial ornament, facial amphorae. These names were given to the amphorae due to their peculiar ornament and their truncated-conical or rounded body that resembles the head of an owl (large circles on the sides of the handles are the eyes of a bird, and the handles are beaks), as well as due to attempts to hypothetically interpret the vessels as images of some two-faced or four-faced anthropomorphic, zoomorphic or ornithomorphic mythological creatures of the Cucuteni-Trypillian pantheon...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2021 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2021 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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