#Exhibit of the Month

The 21 beads form part of a bronze hoard found in 2019 within a forested area close to the town of Nisporeni. Alongside the beads, the hoard included numerous bronze ornaments (2 Röschitz-Sanislău-type fibulae, 7 necklaces, 12 rings, 22 tubes, 23 bracelets, and approximately 80 appliqués), one coral bead and a pendant made from a wild animal's tooth. At present, the amber beads are preserved in the collections of the Muzeul Național de Istorie a Moldovei, while the remainder of the hoard is in the possession of a private collector.
The hoard was discovered accidentally in a pit about 50 cm deep. The objects in this hoard are of Western origin, with known parallels in archaeological complexes from Poland, Hungary, Serbia, and Slovakia, and, to a lesser extent, in Romania. The presence of this bronze hoard on the territory of the Republic of Moldova illustrates the cultural dynamics of the region during the Early Iron Age and a fundamental shift in the vector of cultural influences from east to west.

The amber bead strand comprises 16 whole beads and five fragmentary ones. They have an elongated biconical shape and vary in size. The beads are brown-reddish in color; their lengths range from 1.1 to 3.1 cm, widths from 0.6 to 1.4 cm, thicknesses from 0.6 to 1.1 cm, and the perforation diameter ranges between 0.2 and 0.3 cm.
Amber beads appear in several bronze hoards dated to the Late Bronze Age in the eastern half of Slovakia and in Transdanubian Hungary. Parallels are also known from the Cioclovina Cave in Romania. With the onset of the Iron Age, amber items disappear from the Carpathian Basin for approximately 300 years, reappearing alongside the arrival of Scythian elements.
The bronze hoard discovered at Nisporeni is dated to the HaA2-HaB1-2 interval (1050/1000 - 800/750 B.C.).

Virtual Tour

Exhibitions

“Walking around Chișinău of the 20th century”

January 4 - February 15, 2021

Chișinău is without a doubt a city of contrasts. This is a locality that exists between "was" and "is". We are keenly experiencing this contrast, we see and feel it every day, and the architecture of the city clearly indicates a transition from the old to the new, being a witness and the main indicator of change.

In the pictures of the beginning of the last century, it appears as a small but very pretty town, and today we are increasingly confronted with the nostalgic expression "here was...": "here was the Diocesan House", "here was the Swiss Hotel", "here was a girls' gymnasium, and in this place the deputies of Sfatul Țării voted for the Union in 1918". Of the pearls of architecture that once delighted citizens, today we have only pictures left. These pictures are the subject of the collection catalogs and today, the unknown treasures of architecture and urban life, reflected in 48 images, are brought to the public's attention in an exhibition dedicated to Chişinău of the 20th century.

Chişinău is an open-air museum where thousands of people lived, loved, created with wisdom and humility the image of a city "carved in white stone". Each street retains the footsteps of those who admired it, whether they were commoners or nobles. Each villa retains a vivid memory of its owners, and some are still waiting for them, and the holy churches of Chişinău are illuminated by the thoughts of those who admired them or crossed their threshold.

This exhibition is a challenge for all of us to rediscover Chișinău at the time when we have and devote so little time for beauty. This is an invitation to take a virtual walk through the streets from the old days and recall known or forgotten views, places loaded with history or feelings. And, like any place that tends to affirm its authenticity through culture, Chișinău, today, perhaps more than ever, needs the exercise of memory in order to survive and develop.