#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour

Events Archive

Anniversary Conference „The First Ecclesiastical Magazine in the Bessarabian Space”

June 8, 2017

The Institute of History of ASM in collaboration with the National Museum of History of Moldova organized on June 8, 2017, the Anniversary Scientific Conference "The First Ecclesiastical Journal in the Bessarabian Space (150 years since the publication of the journal Kišinevskie Eparhial'nye Vedomosti)". In the opening speech, dr. hab. Elena Ploșnita, scientific secretary of the National Museum of History of Moldova, stressed the importance of celebrating 150th years of the church press in Bessarabia. The foundation of the church press in the eparchy of Chișinău and Hotin in 1867 is a cultural and spiritual event that marked the religious life of the entire diocese. The scientific conference was held in the Conference Hall of the National Museum of History of Moldova and was moderated by dr. Eugen Onicov, professor at the Academy of Orthodox Theology in Chișinău.

During the conference were presented scientific research papers, which included a wide range of church life issues reflected in the pages of the eparchial journal: Dr. Nicolae Fustei, The Bilingual Edition of the Journal of the Diocese of Chișinău and Hotin (1867-1871), Institute of History, ASM; Dr prof. Eugen Onicov, Information about the monasteries published in the Chișinău Diocese Bulletin, Academy of Orthodox Theology in Chișinău; dr. Diana Ețco, Studies and Research of Archbishop Dimitrie Sulima published in the eparchial journal, Institute of History, ASM; Ana Grițco, The activity of the Balș orphanage reflected in Kišinevskie Eparhial'nye Vedomosti, National Museum of History of Moldova; Vera Serjant, The question about church chant, reflected on the pages of the KEV journal, National Museum of History of Moldova; assoc.prof. Maria Danilov, Materials for the history of the Bessarabian Diocese published by A. Stadnițchi on the pages of the Eparchial Bulletin of Chișinău, Institute of History, AȘM.

Dr. Nicolae Fustei, mentioned that the eparchial journal Kišinevskie Eparchial'nye Vedomosti (Bulletin of the Diocese of Chișinău) was founded by the decree of the Holy Synod of the Russian Church of February 17, 1867. The first issue of the magazine dates back to 1867. This is the second official publication of the province (the first Bessarabian periodical is Bessarabskie Oblastnye Vedomosti, edited since 1854). The bilingual edition of the bulletin of the Diocese of Chișinău and Hotin was published "in Russian and Moldavian language" during four years (1867-1871), but the bilingualism was actually respected in the first two years of publication only, the Romanian version of the bulletin being gradually abandoned. The content of the journal was established up by the teachers of the Theological Seminary and consisted of two parts: one official and another unofficial part. The official one was strictly reserved for the imperial administration's decisions on church life: Circulars of local diocesan leadership. The unofficial one contained various statistics on the eparchy's history; texts-interpretations of the Holy Scripture and the work of the Holy Fathers of the Orthodox Church; various "teachings" for sermons, ethnographic and archeological materials, literature, or folklore. The articles published on the pages of the journal had a rather scientific character from the very first numbers.

At the end of the event, assoc.prof. Silvia Grossu, Faculty of Journalism and Communication Sciences, SUM, on behalf of "Metropolitan Gurie Grosu" association, offered a book donation to the National Museum of History of Moldova- „Mitropolitul Gurie - operă zidită în destinul Basarabiei" (Metropolitan Gurie - masterpiece built in the destiny of Bessarabia). An edition coordinated by Silvia Grosu which appeared in 2016 at Epigraf Publishing House (320 P). Being one of the most distinguished Bessarabian personalities, Metropolitan Gurie Grosu published in the years 1902-1917 numerous materials of historical, moral, religious and missionary character on the pages of the eparchial journal.