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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

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Events Archive

Anniversary Conference „The First Ecclesiastical Magazine in the Bessarabian Space”

June 8, 2017

The Institute of History of ASM in collaboration with the National Museum of History of Moldova organized on June 8, 2017, the Anniversary Scientific Conference "The First Ecclesiastical Journal in the Bessarabian Space (150 years since the publication of the journal Kišinevskie Eparhial'nye Vedomosti)". In the opening speech, dr. hab. Elena Ploșnita, scientific secretary of the National Museum of History of Moldova, stressed the importance of celebrating 150th years of the church press in Bessarabia. The foundation of the church press in the eparchy of Chișinău and Hotin in 1867 is a cultural and spiritual event that marked the religious life of the entire diocese. The scientific conference was held in the Conference Hall of the National Museum of History of Moldova and was moderated by dr. Eugen Onicov, professor at the Academy of Orthodox Theology in Chișinău.

During the conference were presented scientific research papers, which included a wide range of church life issues reflected in the pages of the eparchial journal: Dr. Nicolae Fustei, The Bilingual Edition of the Journal of the Diocese of Chișinău and Hotin (1867-1871), Institute of History, ASM; Dr prof. Eugen Onicov, Information about the monasteries published in the Chișinău Diocese Bulletin, Academy of Orthodox Theology in Chișinău; dr. Diana Ețco, Studies and Research of Archbishop Dimitrie Sulima published in the eparchial journal, Institute of History, ASM; Ana Grițco, The activity of the Balș orphanage reflected in Kišinevskie Eparhial'nye Vedomosti, National Museum of History of Moldova; Vera Serjant, The question about church chant, reflected on the pages of the KEV journal, National Museum of History of Moldova; assoc.prof. Maria Danilov, Materials for the history of the Bessarabian Diocese published by A. Stadnițchi on the pages of the Eparchial Bulletin of Chișinău, Institute of History, AȘM.

Dr. Nicolae Fustei, mentioned that the eparchial journal Kišinevskie Eparchial'nye Vedomosti (Bulletin of the Diocese of Chișinău) was founded by the decree of the Holy Synod of the Russian Church of February 17, 1867. The first issue of the magazine dates back to 1867. This is the second official publication of the province (the first Bessarabian periodical is Bessarabskie Oblastnye Vedomosti, edited since 1854). The bilingual edition of the bulletin of the Diocese of Chișinău and Hotin was published "in Russian and Moldavian language" during four years (1867-1871), but the bilingualism was actually respected in the first two years of publication only, the Romanian version of the bulletin being gradually abandoned. The content of the journal was established up by the teachers of the Theological Seminary and consisted of two parts: one official and another unofficial part. The official one was strictly reserved for the imperial administration's decisions on church life: Circulars of local diocesan leadership. The unofficial one contained various statistics on the eparchy's history; texts-interpretations of the Holy Scripture and the work of the Holy Fathers of the Orthodox Church; various "teachings" for sermons, ethnographic and archeological materials, literature, or folklore. The articles published on the pages of the journal had a rather scientific character from the very first numbers.

At the end of the event, assoc.prof. Silvia Grossu, Faculty of Journalism and Communication Sciences, SUM, on behalf of "Metropolitan Gurie Grosu" association, offered a book donation to the National Museum of History of Moldova- „Mitropolitul Gurie - operă zidită în destinul Basarabiei" (Metropolitan Gurie - masterpiece built in the destiny of Bessarabia). An edition coordinated by Silvia Grosu which appeared in 2016 at Epigraf Publishing House (320 P). Being one of the most distinguished Bessarabian personalities, Metropolitan Gurie Grosu published in the years 1902-1917 numerous materials of historical, moral, religious and missionary character on the pages of the eparchial journal.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
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#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC