#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.

The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour

#Exhibit of the Month

December 2020

Binoculars-shaped vessel from Ciulucani

The artifact was discovered in 1990 near the village of Ciulucani in the Teleneşti District, during the arrangement of a pond. In the same year, the archaeologist Tatiana Todorova carried out excavations in the settlement, which were meant to save part of its area from imminent destruction. The settlement of Ciulucani I is located on the slope of the valley of a stream, a left tributary of the Ciulucul Mic River, 12 km north of the village of Ciulucani.

The vessel belongs to the Cucuteni culture, one of the oldest civilizations in Europe (5200 to 3200 BC), which was named after the eponymous village near Iaşi, where in 1884 the first its remains were discovered. The Cucuteni culture preceded all human settlements in Sumer and Ancient Egypt by several hundred years. The Cucuteni culture (Ukrainian: Trypillian culture) spread over an area of 350,000 square kilometers, on the current territory of Romania, the Republic of Moldova and Ukraine.

The Cucuteni settlements had a protourban organization, with houses built of clay on wooden structures. The communities practiced hunting, agriculture and domestic crafts, such as weaving, pottery, and making tools. The predominant colors on Cucuteni ceramics are red, white and black.

The binocular object represents two ceramic tubes joined by means of three bars (bridges) arranged horizontally, being as such composed of two monocles with funnel-shaped ends. The yellow-pink vessel is modeled from a fine clay body and decorated with painted ornament, for which natural black-brown dyes were used. Such a shape had as prototype a similar wooden construction. In some cases the extremities had holes, i.e. forming a whole with the support tube, in other cases, rarer, such as the Ciulucani object, they represent small phials. The evolution of this type of vessels takes place in the classical period of the Cucuteni culture, until the beginning of the gradual degradation of the quality of the vessels of this culture. So far there are no reliable opinions on the functionality of this type of vessel, which are specific only to the Cucuteni culture, but several researchers opt for the assumption that they were used in ritual practice and are among the best chronological and spatial indicators. Each binoculars-shaped vessel discovered so far do not have the same patterns, all of which are unique.

The object has a height of 188 mm, the diameters of the extremities vary from 111 to 112.5 mm, the width of the vessel is 290 mm.

Dating: 4th millennium BC.