#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

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#Exhibit of the Month

February 2021

Bronze kyathos

Kyathos (Ancient Greek: κύαθος - ladle, cup) is an ancient Greek vessel (ladle), used to pour wine from various larger vessels (kraters, hydriai, pelicai, and so on) into drinking cups. During the existence of these vessels, they were made of different materials: from silver and bronze to burnt clay, the latter ones being often painted with red and black figures, and sometimes covered only with black slip.

In the myths about Hercules, a young cupbearer named Kyathos is mentioned, who during a feast, scooping up wine from a vessel with a ceramic ladle to pour it into Hercules' bowl, accidentally broke the high handle of the vessel (which often happens) and spilled wine on the legendary hero. Hercules, not calculating his strength, gave the inattentive young man a flick on the forehead. Although it was a simple flick, it was fatal to the young cupbearer. In memory of this sad event in the homeland of Kyathos, in Aetolia, a grove was planted, called the Grove of the Cupbearer, where a sculpture was placed depicting Kyathos serving the cup to Hercules. Also, in memory of the cupbearer, the ladle vessels were named after him.

Kyathoi made of silver or bronze, most often with a very small bowl diameter (4 to 6 cm), were used to extract wine from amphorae (their necks ranged from 8 to 10-12 cm in diameter). The metal ladles were usually equipped with a long thin looping handles ending in a stylized swan's head.

These vessels were common in various cultures of the Greek period of the 6th-4th centuries BC.

The bronze Kyathos kept at the National Museum of History of Moldova, like most metal objects of this type, has a loop-shaped handle ending in a swan's head and the following characteristics: weight - 116.40 g; maximum length - 31.5 cm; handle width 0.9 -2 cm; diameter of the bowl at the opening - 4.4x5 cm; bowl bottom diameter - 4 cm; bowl height - 2.7 cm.

#Exhibit of the Month

Easter-Themed Postcards

February 2021

Bronze kyathos

#Exhibit of the Month