#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

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#Exhibit of the Month

January 2024

Mihai Eminescu: volumes of works from the NMHM collection

On January 15, in tribute to the birthday of the great poet Mihai Eminescu (1850-1889), the Republic of Moldova celebrates the National Day of Culture. In the collection of the National Museum of History of Moldova there are several materials related to the name of the illustrious Romanian poet and prose writer, such as books, paintings, medals, coins, philately pieces and cartophile, etc. On this occasion, we present to the public two volumes signed by Mihai Eminescu, representing the author's oldest editions from our book collection.

The first book entitled "Political and literary writings: original manuscripts and collections from newspapers and magazines" vol. 1: 1870-1877 - XXXV, 451 p. was published in Bucharest in 1905. The cover is original, made of paper. On the forced sheet there is a stamp with the text: "Gheorghe Papaghiuc Library. Iasi". On the verso title page: "Publishing Institute of Graphic Arts "Minerva". On page V-XXXV, introduction signed by Ion Scurtu, dated Bucharest, June 10, 1905". Of the planned edition in 3 volumes, only volume 1 appeared (laudatory articles in the press of the time). On the back cover, the list of books published in the collection of the Library of Romanian Writers, classic authors and modern authors was placed.

The second book is "Complete Works. Poems - Short stories - Novel - Theater - Thoughts - Writings: Literary, Economic, Political and Philosophical - Letters - Critique of pure reason by Kant" with a preface and an introductory study by A. C. Cuza, Iași 1914: edited by Librăria Românească / Ioan V. Voinescu and N. Georgescu - Institute of Graphic Arts N.V. Ștefănescu & Co.: Ștefan cel Mare street, no. 38.

Three illustrations representing Mihai Eminescu at different ages are inserted in the volume: M. Eminescu after a photograph from 1879-1880 (between pages 184-185); M. Eminescu after a photo from the years 1884-1885 (between pages 344-345) and the photo of M. Eminescu from the age of 20, which is missing in our volume.

Alexandru C. Cuza (1857-1947), who signed the preface and the introductory study of the volume, was a professor of political economy at the University of Iași, a contemporary of Mihai Eminescu whom he knew. Because of the political activity of A.C. Cuza, one of the founders of the far-right movement in Romania, known for its extremism and anti-semitism, the 1914 edition was banned in 1948. Many copies of this edition were destroyed in the early years of the communist regime.

#Exhibit of the Month

Easter-Themed Postcards

January 2024

Mihai Eminescu: volumes of works from the NMHM collection

#Exhibit of the Month