#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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#Exhibit of the Month

January 2024

Mihai Eminescu: volumes of works from the NMHM collection

On January 15, in tribute to the birthday of the great poet Mihai Eminescu (1850-1889), the Republic of Moldova celebrates the National Day of Culture. In the collection of the National Museum of History of Moldova there are several materials related to the name of the illustrious Romanian poet and prose writer, such as books, paintings, medals, coins, philately pieces and cartophile, etc. On this occasion, we present to the public two volumes signed by Mihai Eminescu, representing the author's oldest editions from our book collection.

The first book entitled "Political and literary writings: original manuscripts and collections from newspapers and magazines" vol. 1: 1870-1877 - XXXV, 451 p. was published in Bucharest in 1905. The cover is original, made of paper. On the forced sheet there is a stamp with the text: "Gheorghe Papaghiuc Library. Iasi". On the verso title page: "Publishing Institute of Graphic Arts "Minerva". On page V-XXXV, introduction signed by Ion Scurtu, dated Bucharest, June 10, 1905". Of the planned edition in 3 volumes, only volume 1 appeared (laudatory articles in the press of the time). On the back cover, the list of books published in the collection of the Library of Romanian Writers, classic authors and modern authors was placed.

The second book is "Complete Works. Poems - Short stories - Novel - Theater - Thoughts - Writings: Literary, Economic, Political and Philosophical - Letters - Critique of pure reason by Kant" with a preface and an introductory study by A. C. Cuza, Iași 1914: edited by Librăria Românească / Ioan V. Voinescu and N. Georgescu - Institute of Graphic Arts N.V. Ștefănescu & Co.: Ștefan cel Mare street, no. 38.

Three illustrations representing Mihai Eminescu at different ages are inserted in the volume: M. Eminescu after a photograph from 1879-1880 (between pages 184-185); M. Eminescu after a photo from the years 1884-1885 (between pages 344-345) and the photo of M. Eminescu from the age of 20, which is missing in our volume.

Alexandru C. Cuza (1857-1947), who signed the preface and the introductory study of the volume, was a professor of political economy at the University of Iași, a contemporary of Mihai Eminescu whom he knew. Because of the political activity of A.C. Cuza, one of the founders of the far-right movement in Romania, known for its extremism and anti-semitism, the 1914 edition was banned in 1948. Many copies of this edition were destroyed in the early years of the communist regime.

#Exhibit of the Month

Buckles Decorated in the Polychrome Enamel Technique

January 2024

Mihai Eminescu: volumes of works from the NMHM collection

#Exhibit of the Month