#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

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#Exhibit of the Month

November 2024

Glass Goblet from the Sântana de Mureș-Chernyakhov Cemetery (4th Century AD) in Tigheci

The exhibit of the month for November is a rare glass goblet from the Sântana de Mureș-Chernyakhov cemetery, discovered in Tigheci. Dated to the second half of the 4th century AD, this remarkable artifact demonstrates the craftsmanship of the time, made from translucent greenish glass with a truncated cone shape and intricate geometric decoration. The goblet features three rows of hexagonal facets, framed by incised lines, and a row of elongated ovals under the rim, characteristics which classify it within Series VII A, according to E. Straume's classification. These ornamental traits hint at artistic influences from various regions and indicate the spread of technologies and ideas within the Sântana de Mureș-Chernyakhov culture.

Archaeological Context of the Discovery

The Sântana de Mureș-Chernyakhov cemetery at Tigheci is located in a historically complex area, positioned on the northwest slope of the Tigheci River, at the "La Lutărie" point. First identified in the 1980s following unauthorized clay extraction, the cemetery has suffered considerable damage, leading to the loss of valuable artifacts and the destruction of graves. Among the objects recovered by Mr. Ion Pușcașu, founder of the Museum of History and Ethnography in Tigheci, are wheel-thrown ceramic items reflecting the traditions and techniques of communities during the Migration Period.

The site was first archaeologically investigated in 1990, when a complete inhumation grave was found, though lacking any inventory. Subsequent surveys in 2013 and 2015 by the National Archaeological Agency revealed ongoing erosion damaging the cemetery, necessitating a rescue excavation in 2017. This campaign documented and investigated five graves from the Sântana de Mureș-Chernyakhov culture, including the skeletal remains of a male individual estimated to have been 40 to 45 years old at the time of death, offering additional insights into the demographic structure of this community.

Cultural Significance and Comparisons

The hexagonally faceted glass goblet is among the most valuable artifacts from the Tigheci cemetery. Similar goblets are characteristic of the Sântana de Mureș-Chernyakhov culture and have been found in notable sites such as Târgșor and Bârlad-Valea Seacă (Romania) and Gavrilovka, Ranjevoe (Ukraine), reflecting the cultural and trade connections of this community with other centers of influence in Late Antiquity. Ancient texts and cultural parallels suggest a complex interaction zone with Hellenistic and Roman influences, reflected in luxury goods production such as this glass goblet.