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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

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Events Archive

Presentation of the cartographic album „DESCRIPTIO BESSARABIAE"

June 20, 2017

On June 20, 2017, in the Blue Room of the National Museum of History of Moldova was presented the cartographic album "DESCRIPTIO BESSARABIAE". The event was organized by the Romanian Cultural Institute "Mihai Eminescu" in Chișinău, in partnership with the National Museum of History of Moldova.

The album presentation event was attended by Mr. Valeriu Matei, the director of RCI "Mihai Eminescu" and dr. hab. Eugen Sava, the director of the National Museum of History of Moldova. Among the special guests was dr.hab. Gheorghe Postică, Deputy Minister of Culture; academician Demir Dragnev and the authors of the album: univ.prof. Adrian Năstase, coordinator of the volume; dr. Mihai Gribincea, Ambassador of the Republic of Moldova to Romania and researcher Ovidiu Dumitru.

The event was attended by Moldovan officials, researchers, museographers, teachers and scholars, representatives of the press, as well as members of the diplomatic corps accredited in Chișinău, including the Romanian Ambassador to Moldova, H.E. Daniel Ioniță.

Written in two languages, Romanian and English, the album "Descriptio Bessarabiae" presents 120 maps in an exceptional visual conception, rare pieces found in the collections of the National Museum of Maps and Old Books in Bucharest and in the private collections of the album authors. The presentation of the maps in the album structure respects the historical evolution of cartographic achievements related to the Bessarabian territory during almost five centuries of cartography.

"Bessarabia is not a myth. It is a reality. Emerged on the map by a game of history, this territory disappeared through an equally unexpected event. But as astronomers know to see comets only of their knowledge, they know how to comment and accurately calculate the trajectories only by their suspects; therefore historians should master the skill of honoring the most unseen truths. Compared to astronomy (if you want, they can also be related with the time), the maps are just regular charts that unseen hands of sovereigns of the moment show their own ambitions. And it is our duty not to take them as absolute truths, even if they are signed with names of Christian emperors like Alexander I or names of communist tyrants like Joseph Stalin ... The axiom of the existence of this earth are the very people who passed rapidly through the hourglass of time, but did not want to have a destiny similar to that of sand. Their purpose was to leave a trace. The supreme argument of their existence is the follow-up. Reading the traces of the generations that have gone down in our history, we affirm with deep conviction: Bessarabia is not a myth. It is a reality." (From the preface „Basarabia. Miza geostrategică"(Bessarabia. Geostrategic Stake))

An essential argument put forward by the authors in favor of the album "Descriptio Bessarabiae" is that in the Romanian Principalities from the medieval period there were no native concerns relevant to cartography, the maps being made more by foreign travelers, often accompanied by plastic artists to write down field information. These works were documentary studies that had, over time, a special, even restricted, regime. The cartographic atlases were used to educate the children of princes, helping to understand the changes of territory.

The cartographic album released at the National Museum of History of Moldova is part of a larger project, developed in collaboration with the Romanian Cultural Institute Publishing House and the National Museum of Maps and Old Books in Bucharest, a project from the series of albums containing maps of the Danube, Black Sea, Bessarabia. The series is wanted to be completed with the presentation of the old Transylvanian maps as part of the Program that marks the Centenary of the Great Union in the spring of next year.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
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#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC