#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

Virtual Tour

#Exhibit of the Month

September 2023

The cannon from Grinăuți-Moldova

Fire artillery in Romanian space is attested from the first half of the 15th century. The oldest pieces of artillery are the bronze and iron bombards discovered in the fortresses of Giurgiu, Severin, Bârlad and Orheiul Vechi.

The exposed cannon was discovered in the village of Grinăuți-Moldova, Ocnița district, it dates from the second half of the 15th century. From a typological point of view, in the central-eastern European space, the cannon from Grinăuți-Moldova is a unique piece.

It is a short-barreled mortar-type artillery piece that fits perfectly into the line of bombards in Europe used in the second half of the 15th century - the beginning of the 16th century.

The cannon was used to launch projectiles (bullets) at the enemy behind fortifications or natural obstacles. The projectiles were loaded through the mouth of the barrel. The firing angle was over 45 degrees, and the trajectory of the projectile was curved with a range of up to 300-400 m. In Europe, these cannons were called mortars, and in Romanian space they were designated by the word piua, thanks to the shape of this object.

The cannon from Grinăuți-Moldova was discovered by chance in the "Red Bank" location, located 15 km southwest of the Lipnicu plain where Lord Stefan the Great defeated the Tatars in 1470. According to a legend from the village of Grinăuți-Moldova, in the "Red Bank" location, a military confrontation between Moldovans and Tatars would have taken place prior to the battle of Lipnic.

The cannon from Grinăuți-Moldova is made of cast iron by the casting method. The barrel is provided with a single hole in the front, the opposite side being blocked by the flat bottom with flared edge. The inside of the pipe is a relatively wide channel that narrows slightly towards the bottom. Loading with powder and cannonballs was done through the mouth of the cannon. A hole is provided near the base for the wick to ignite and detonate the dust inside the cannon. The surface of the cannon is embossed. The edge of the mouth is thickened, slightly curved. Two cylindrical supports with a diameter of 3.5 cm are provided in the central part of the body of the cannon in the axis, which served as handles for the installation and handling of the cannon on a wooden frame.

The length of the cannon is 30.0 cm, the maximum diameter of the body - 17.8 cm, the outside diameter of the mouth - 19.4 cm, the diameter of the body in the middle - 13.5 cm, the outside diameter of the base - 17.0 cm, the caliber of the cannon (mouth diameter) is 12.8 cm, the length of the inner chamber of the cannon - 27.4 cm, the weight of the cannon - 18,730 kg.

The cannon from Grinăuți-Moldova entered the custody of the National Museum of History of Moldova through the care of local history teacher Vlad Lvovsky.

The conservation of the piece of cultural heritage was carried out by Valeriu Bubulici, and the reconstruction of the atmosphere by the restorer Mihail Culașco.

#Exhibit of the Month

Easter-Themed Postcards

September 2023

The cannon from Grinăuți-Moldova

#Exhibit of the Month