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#Exhibit of the Month

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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour


#Exhibit of the Month

September 2023

The cannon from Grinăuți-Moldova

Fire artillery in Romanian space is attested from the first half of the 15th century. The oldest pieces of artillery are the bronze and iron bombards discovered in the fortresses of Giurgiu, Severin, Bârlad and Orheiul Vechi.

The exposed cannon was discovered in the village of Grinăuți-Moldova, Ocnița district, it dates from the second half of the 15th century. From a typological point of view, in the central-eastern European space, the cannon from Grinăuți-Moldova is a unique piece.

It is a short-barreled mortar-type artillery piece that fits perfectly into the line of bombards in Europe used in the second half of the 15th century - the beginning of the 16th century.

The cannon was used to launch projectiles (bullets) at the enemy behind fortifications or natural obstacles. The projectiles were loaded through the mouth of the barrel. The firing angle was over 45 degrees, and the trajectory of the projectile was curved with a range of up to 300-400 m. In Europe, these cannons were called mortars, and in Romanian space they were designated by the word piua, thanks to the shape of this object.

The cannon from Grinăuți-Moldova was discovered by chance in the "Red Bank" location, located 15 km southwest of the Lipnicu plain where Lord Stefan the Great defeated the Tatars in 1470. According to a legend from the village of Grinăuți-Moldova, in the "Red Bank" location, a military confrontation between Moldovans and Tatars would have taken place prior to the battle of Lipnic.

The cannon from Grinăuți-Moldova is made of cast iron by the casting method. The barrel is provided with a single hole in the front, the opposite side being blocked by the flat bottom with flared edge. The inside of the pipe is a relatively wide channel that narrows slightly towards the bottom. Loading with powder and cannonballs was done through the mouth of the cannon. A hole is provided near the base for the wick to ignite and detonate the dust inside the cannon. The surface of the cannon is embossed. The edge of the mouth is thickened, slightly curved. Two cylindrical supports with a diameter of 3.5 cm are provided in the central part of the body of the cannon in the axis, which served as handles for the installation and handling of the cannon on a wooden frame.

The length of the cannon is 30.0 cm, the maximum diameter of the body - 17.8 cm, the outside diameter of the mouth - 19.4 cm, the diameter of the body in the middle - 13.5 cm, the outside diameter of the base - 17.0 cm, the caliber of the cannon (mouth diameter) is 12.8 cm, the length of the inner chamber of the cannon - 27.4 cm, the weight of the cannon - 18,730 kg.

The cannon from Grinăuți-Moldova entered the custody of the National Museum of History of Moldova through the care of local history teacher Vlad Lvovsky.

The conservation of the piece of cultural heritage was carried out by Valeriu Bubulici, and the reconstruction of the atmosphere by the restorer Mihail Culașco.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC