#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.

The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

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Symposium "The Union of 1918 in museum collections"

April 12, 2018

On April 12, 2018, at the National Museum of History of Moldova was held the Symposium "The Union from 1918 in museum collections". The event was attended by historians and museographers from various Romanian and Moldovan institutions, representatives of the Museum of History of Romania (Bucharest), the Museum of the Union (Alba Iulia), the National Museum of Ethnography and Natural History (Chişinău), the National Museum of Literature "M. Kogâlniceanu" (Chişinău), the Museum of Cahul Region, the Institute of History (Chişinău) and the State Archival Service of the Republic of Moldova.

The works of the Symposium began with a presentation by Ion Negrei, researcher at the Institute of History of the Ministry of Education, Culture and Research of the Republic of Moldova, which reviewed the chronology of the events from Bessarabia in 1917-1918, especially the works of the historical meeting of Sfatul Ţării (the Parliament) on March 27th, 1918. All 13 papers presented were focused on the thematic of the symposium evoking moments, places, personalities that marked the history of the event.

The symposium was an attempt to approach with reverence the content of the museum heritage focusing on the theme of the Union, tangled testimonies coming from various categories of pieces: documents, photographs, postcards, medals, original personal objects, presented in a form of recovery and re-evaluation. Testimonies about Bessarabian personalities in the collections of the National Museum of History of Romania, Documents of the Union from the collection of the Museum of the Union from Alba Iulia, From the KGB archive - to the museum heritage. The history of a collection, The Mărăşeşti Book of poet Alexei Mateevici, The evocation of the Union for half a century, Photographic, documentary and numismatic testimonies with memorial value from the collection of the NMHM - are just a few of the subjects that have marked the contribution of the museographers to the process of collective memory formation in connection with the events of March 27, 1918 - December 1, 1918, these testimonies being a contribution from the perspective of writing history.

The event was part of the series of events, dedicated to the Centenary of the Great Union, organized by the National Museum of History of Moldova.