The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
The article uses a rather large number of sources concerning Armenian resettlement center in Kiliya (Danube Delta, in the Bessarabian historic district of Budjak). Most of them are presented by Armenian epitaphs, in total twelve ones, dated to 1646-1765 years. Twelve tombstones, carrying them, were located inside the church of St. Nicholas in Kiliya and possibly in its environment as well. Five of them, together with epitaphs are preserved to our times: three in the church garden and two in the Kiliya museum. Three of these five tombstones were discovered recently, and their epitaphs are new-found sources. Two others had been published earlier. The remaining seven tombstones and there epitaphs are known only from various publications.
The analysis of these twelve epitaphs reveals that the persons, mentioned in them, in their vast majority were the representatives of the second or third generation of the Armenians, who migrated here from various places of His- torical Armenia, and even, perhaps, from Persia in the early decades of the XVII century. So they had no relation to the old Armenian inhabitants of Kiliya, settled here earlier – in the course of the XI-XV centuries. The sources come to prove that the last ones had a church of St. Virgin (now the location is unknown), which existed up to the very beginning of the XIX century.
So we have to admit that the newly arrived Armenians made burials in the church of St. Nicholas and round it right after its construction in 1648 by the Moldavian ruler Vasile Lupu and, presumably, until their leaving for Grigoriopol in 1792. The epitaph dated 1646 suggests a burial made even during the construction of the church. The said indicates a direct relation of the last to the newly arrived Armenians and finds confirmation in N. Kleeman’s information (the 60-s of the XVIII century) that the Armenians had two churches in Kiliya.
List of illustrations: Table 1. Previously published Armenian inscriptions, relating to Кiliya. Table 2. Armenian epitaphs of the preserved tombstones. Photo 1. Marble tombstone with the inscription, dated to 1749. Was found in the churchyard of St. Nicholas on the north side. Photo 2. Marble tombstone with the epitaph in three verses. Historical museum of Kiliya district. Photo 3. The third verse, carved on the butt end of the plate. Photo 4. Marble gravestone with an epitaph in four verses. Carved decoration of the horizontal surface. Historical museum of Kiliya district. Photo 5. Marble tombstone with the inscription in four verses. Historical museum of Kiliya district. Photo 6. Marble tombstone with the epitaph, dated to 1755. Located east of the church of St. Nicholas, in the garden. Photo 7. Tombstone with the inscription, dated to 1653. Located east of the church of St. Nicholas, in the garden. Photo 8. Marble tombstones in the environment of the church of St. Nicholas, used as doorstep stones.
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.