#Exhibit of the Month

Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.

Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.

The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system.

The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia.
The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London.
The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit.
June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.

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Publications

Journal „Tyragetia"

vol. VI [XXI], nr. 2

ISSN 1857-0240
E-ISSN 2537-6330

Татевик Саргсян

Armenian Epitaphs from Kiliya

Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie

The article uses a rather large number of sources concerning Armenian resettlement center in Kiliya (Danube Delta, in the Bessarabian historic district of Budjak). Most of them are presented by Armenian epitaphs, in total twelve ones, dated to 1646-1765 years. Twelve tombstones, carrying them, were located inside the church of St. Nicholas in Kiliya and possibly in its environment as well. Five of them, together with epitaphs are preserved to our times: three in the church garden and two in the Kiliya museum. Three of these five tombstones were discovered recently, and their epitaphs are new-found sources. Two others had been published earlier. The remaining seven tombstones and there epitaphs are known only from various publications.

The analysis of these twelve epitaphs reveals that the persons, mentioned in them, in their vast majority were the representatives of the second or third generation of the Armenians, who migrated here from various places of His- torical Armenia, and even, perhaps, from Persia in the early decades of the XVII century. So they had no relation to the old Armenian inhabitants of Kiliya, settled here earlier – in the course of the XI-XV centuries. The sources come to prove that the last ones had a church of St. Virgin (now the location is unknown), which existed up to the very beginning of the XIX century.

So we have to admit that the newly arrived Armenians made burials in the church of St. Nicholas and round it right after its construction in 1648 by the Moldavian ruler Vasile Lupu and, presumably, until their leaving for Grigoriopol in 1792. The epitaph dated 1646 suggests a burial made even during the construction of the church. The said indicates a direct relation of the last to the newly arrived Armenians and finds confirmation in N. Kleeman’s information (the 60-s of the XVIII century) that the Armenians had two churches in Kiliya.

List of illustrations:
Table 1. Previously published Armenian inscriptions, relating to Кiliya. Table 2. Armenian epitaphs of the preserved tombstones.
Photo 1. Marble tombstone with the inscription, dated to 1749. Was found in the churchyard of St. Nicholas on the north side.
Photo 2. Marble tombstone with the epitaph in three verses. Historical museum of Kiliya district.
Photo 3. The third verse, carved on the butt end of the plate.
Photo 4. Marble gravestone with an epitaph in four verses. Carved decoration of the horizontal surface. Historical museum of Kiliya district.
Photo 5. Marble tombstone with the inscription in four verses. Historical museum of Kiliya district.
Photo 6. Marble tombstone with the epitaph, dated to 1755. Located east of the church of St. Nicholas, in the garden.
Photo 7. Tombstone with the inscription, dated to 1653. Located east of the church of St. Nicholas, in the garden.
Photo 8. Marble tombstones in the environment of the church of St. Nicholas, used as doorstep stones.