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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour


Publications Journal „Tyragetia"   vol. VI [XXI], nr. 2


Artistic processing of metal in the Dniester-Prut interfluve. Typology of articles made by local jewelers
ISSN 1857-0240
E-ISSN 2537-6330

Artistic processing of metal in the Dniester-Prut interfluve. Typology of articles made by local jewelers

Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie


Preceding studies on the origin and evolution of jewelry in Moldova have considerably expanded the area of our research, opening up new possibilities for the investigation. The aim of this study is to show the place and role of artistic metalworking techniques in Bessarabia of the 19th century, characterization and determination of the types of objects created using these techniques, and giving some examples, which illustrate them.

It should be noted that the discovery of physical and chemical properties of metals led to the emergence and development of methods of artistic processing of metals, which have evolved over the centuries. Some of them were eventually rarely used and were replaced by complicated professional technologies. Among the most claimed and, therefore, popular methods of metal processing one can name such techniques as casting, engraving, filigree, forg- ing, artistic enameling, etc.

List of illustrations:

Fig. 1. A. Marco. Bracelet “Memories”. Silver, carnelian. Russian Arts Fund.
Fig. 2. Men’s ring. Gold, cubic zirconia. Chișinău Jewelry Factory „Giuvaier”.
Fig. 3. Gh. Cojușnean. Signet ring. Silver, smoky quartz. Private collection.
Fig. 4. A. Marco. Necklace. Silver, brass, semi-precious stones.
Fig. 5. Gh.Cojușnean. Bell tower of the Cathedral of Chisinau. Private collection.
Fig. 6. Gh. Cojușnean. Decorative wrought-iron grille. Sketch. Private collection.
Fig. 7. Gh. Cojușnean. Jewelry . Collection of the National Museum of Archaeology and History of Moldova).
Fig. 8. Lantern in the courtyard of the Bocancea Monastery.

Liliana Condraticova
L’orfèvrerie ecclésiastique du Bessarabie (1812- 1827)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’activité des orfévres de Moldova pendant les années ’70-’80 du XX-ém siécle (l’activité de la Fabrique de Bijoux de Chișinău)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Archival documents as a source for the research of jewelry for church use
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Лилиана Кондратикова
Le rôle et le place de femme-joaillerie dans l’évolution de l’art décorative du Moldova (1960-1990)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Ion Xenofontov, Războiul din Afghanistan (1979-1989) în memoria participanților din Republica Moldova. Realitatea istorică și imaginarul social. Iași: Lumen, 2010, 544 p.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC