The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage. The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience. Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region. Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).
Artistic processing of metal in the Dniester-Prut interfluve. Typology of articles made by local jewelers
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Preceding studies on the origin and evolution of jewelry in Moldova have considerably expanded the area of our research, opening up new possibilities for the investigation. The aim of this study is to show the place and role of artistic metalworking techniques in Bessarabia of the 19th century, characterization and determination of the types of objects created using these techniques, and giving some examples, which illustrate them.
It should be noted that the discovery of physical and chemical properties of metals led to the emergence and development of methods of artistic processing of metals, which have evolved over the centuries. Some of them were eventually rarely used and were replaced by complicated professional technologies. Among the most claimed and, therefore, popular methods of metal processing one can name such techniques as casting, engraving, filigree, forg- ing, artistic enameling, etc. List of illustrations: Fig. 1. A. Marco. Bracelet “Memories”. Silver, carnelian. Russian Arts Fund. Fig. 2. Men’s ring. Gold, cubic zirconia. Chișinău Jewelry Factory „Giuvaier”. Fig. 3. Gh. Cojușnean. Signet ring. Silver, smoky quartz. Private collection. Fig. 4. A. Marco. Necklace. Silver, brass, semi-precious stones. Fig. 5. Gh.Cojușnean. Bell tower of the Cathedral of Chisinau. Private collection. Fig. 6. Gh. Cojușnean. Decorative wrought-iron grille. Sketch. Private collection. Fig. 7. Gh. Cojușnean. Jewelry . Collection of the National Museum of Archaeology and History of Moldova). Fig. 8. Lantern in the courtyard of the Bocancea Monastery.
Лилиана Кондратикова
Le rôle et le place de femme-joaillerie dans l’évolution de l’art décorative du Moldova (1960-1990)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’atelier d’orfévrerie du Chisinau dans les 1966-1972 année
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’activité des orfévres de Moldova pendant les années ’70-’80 du XX-ém siécle (l’activité de la Fabrique de Bijoux de Chișinău)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’orfèvrerie ecclésiastique du Bessarabie (1812- 1827)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Ion Xenofontov, Războiul din Afghanistan (1979-1989) în memoria participanților din Republica Moldova. Realitatea istorică și imaginarul social. Iași: Lumen, 2010, 544 p.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
