Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
L’activité des orfévres de Moldova pendant les années ’70-’80 du XX-ém siécle (l’activité de la Fabrique de Bijoux de Chișinău)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Dans cet article l’auteur parle sur les objets d’orfévrerie de Moldova du II-moitié du XX-ém siécle et présente les principales traites de l’orfévrerie nationale. L’accent principal est mis sur l’étude des années 1972-1991, plus particulièrement de l’activité de la Fabrique de Joaillierie (de Bijoux) de Chișinău. Les orfévres ont travaillés a la Fabrique de Joaillierie de Chișinău, que a été fondé en 1972. Les bijoux sont confectionnés par les spécialistes réputés comme V. Alexeiko, Iu. Pavlov, V. Vasilkov, V. Fomin etc., qui ont utilisés l’argent, l’or et les pierres précieux. Ils ont confectionné des différentes pendentifs et des colliers, des anneaux et des bracelets, des boucles d‘oreille et des broches. Vu l’importance des bijoux comme objet de l’art et comme patrimoine historique, cet article présente beaucoup d’informations sur les métaux utilissés dans l’industrie des bijoux, la technique et à la technologie, les spécialisations (l’orfévre, le bijoutier et la bijoutière, le joaillier).
Liste de l’illustrations: 1. Les bijoutiers de la Fabrique de Bijoux de Chișinău. 2. Le prémier Bureau d’évaluation de Chișinău avec son prémier directeur V. Sunțov. 3. Des boucles d‘oreilles, l’argent. 4. Pendentif, l’argent, le corindon bleu. 5. Des boucles d‘oreille, l’or, le corindon rouge. 6. Anneau, l’argent, le lapis-lazuli. 7. Pendentif, l’or, le crisopraz.
Liliana Condraticova
L’orfèvrerie ecclésiastique du Bessarabie (1812- 1827)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Ion Xenofontov, Războiul din Afghanistan (1979-1989) în memoria participanților din Republica Moldova. Realitatea istorică și imaginarul social. Iași: Lumen, 2010, 544 p.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Archival documents as a source for the research of jewelry for church use
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Artistic processing of metal in the Dniester-Prut interfluve. Typology of articles made by local jewelers
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’atelier d’orfévrerie du Chisinau dans les 1966-1972 année
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.