Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
Artistic processing of metal in the Dniester-Prut interfluve. Typology of articles made by local jewelers
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Preceding studies on the origin and evolution of jewelry in Moldova have considerably expanded the area of our research, opening up new possibilities for the investigation. The aim of this study is to show the place and role of artistic metalworking techniques in Bessarabia of the 19th century, characterization and determination of the types of objects created using these techniques, and giving some examples, which illustrate them.
It should be noted that the discovery of physical and chemical properties of metals led to the emergence and development of methods of artistic processing of metals, which have evolved over the centuries. Some of them were eventually rarely used and were replaced by complicated professional technologies. Among the most claimed and, therefore, popular methods of metal processing one can name such techniques as casting, engraving, filigree, forg- ing, artistic enameling, etc. List of illustrations: Fig. 1. A. Marco. Bracelet “Memories”. Silver, carnelian. Russian Arts Fund. Fig. 2. Men’s ring. Gold, cubic zirconia. Chișinău Jewelry Factory „Giuvaier”. Fig. 3. Gh. Cojușnean. Signet ring. Silver, smoky quartz. Private collection. Fig. 4. A. Marco. Necklace. Silver, brass, semi-precious stones. Fig. 5. Gh.Cojușnean. Bell tower of the Cathedral of Chisinau. Private collection. Fig. 6. Gh. Cojușnean. Decorative wrought-iron grille. Sketch. Private collection. Fig. 7. Gh. Cojușnean. Jewelry . Collection of the National Museum of Archaeology and History of Moldova). Fig. 8. Lantern in the courtyard of the Bocancea Monastery.
Liliana Condraticova
L’activité des orfévres de Moldova pendant les années ’70-’80 du XX-ém siécle (l’activité de la Fabrique de Bijoux de Chișinău)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Liliana Condraticova
Archival documents as a source for the research of jewelry for church use
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’atelier d’orfévrerie du Chisinau dans les 1966-1972 année
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Liliana Condraticova
L’orfèvrerie ecclésiastique du Bessarabie (1812- 1827)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Лилиана Кондратикова
Le rôle et le place de femme-joaillerie dans l’évolution de l’art décorative du Moldova (1960-1990)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.