We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Dimitrie Cantemir, Edmond Ciuntu, Mikhail Ostrovsky, Ion Dic, the Greek Monastery of St. Nicholas, the People's Commissariat of Foreign Affairs of the USSR, Moscow, Romania.
Abstract: Frequently not only lifetime, but the posthumous biography of any historical figure becomes overgrown by numerous myths, legends and mysteries. The biography of the outstanding thinker of the first quarter of the 18th century, the Moldavian ruler Dimitrie Cantemir was no exception.
The current publication is dedicated to the research of one of the least developed areas of Cantemirology - the study of the authenticity of the Moldavian prince's remains, which were transferred by the USSR Government to Romania and reburied in Iași in June 1935.
On the basis of numerous archival documents taken from the archives of the ministries of Foreign Affairs of the Russian Federation and Romania, for the first time introduced into the scientific use, the author convincingly and gravely substantiates a version that that the transferred remains do not belong to Dimitrie Cantemir.
List of illustrations: Fig. 1. Nicolae Iorga, Nicolae Titulescu and the members of the governmental commission meet the coffin with the remains of D. Cantemir. Constanța, June 1935. Fig. 2. The letter of thanks signed by N. Titulescu, Minister for Foreign Affairs of Romania, addressed to M. Ostrosky, the Ambassador of the Soviet Union in Romania, in connection with the transfer of the remains of Dimitrie Cantemir. Fig. 3. Project of the building of the People's Commissariat for Heavy Industry. Authors: A. Vesnin, V. Vesnin, S. Lyashenko. 1934. Fig. 4. Project of the building of the People's Commissariat for Heavy Industry. Authors: I. Fomin, P. Abrosimov, M. Minkus. 1934.
Виктор Цвиркун
Anna Cantacuzino-Sheremeteva: Unknown pages of biography
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Виктор Цвиркун
Unknown pages of the biography of C.A. Cantemir
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Victor Țvircun
Unknown pages from the biography of Ivan Ilyinsky-Yaroslavets, secretary of Dimitrie Cantemir
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.