German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
In the present article the author debates the question on professional ethics and deontology in the field of archaeology. His works starts with some general appreciation of the terms of ethics and deontology and than continues with historic presentation of the development of the movement among archaeologists on development of the Code of Ethics.
The Codes of Ethics are considered as legal instruments, because most of them settles relations between archaeologists; between archaeologists and state bodies; between archaeologists and donors; between archaeologist and the native people or settled near to the archaeological sites. At the same time the Code of Ethics contains the list of principles and professional norms. Some experts consider that in this list shall be mentioned the aspects on political partisanat too.
One of the actual and common problems of the archaeologists is combating the black archaeology and illicit trade of antiquities. The names of archaeologists and institutions have not to be involved in such illegal phenomena.
The EEA Code of Practice and other international experience should be taken into account in the preparation of the national Code of Ethics according to the local realities and need. At the end of the paper the author is inviting the archaeological community from Moldova to establich a working group and prepare the draft of the Code which could be later discussed and approved.
Sergiu Musteață
Preservation of the historic heritage in USA
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
Marcin Woloszyn (Ed.), Byzantine coins in central Europe between 5th and 10th century. Proceedings from the conference organized by Polish Academy of Arts and Sciences and Institute of Archaeology University of Reszow under the patronage of Union Academique International. (Programme No. 57 Moravia Magna). Krakow, 23-26 IV 2007. Moravia Magna. Seria Polona III, Krakow, 2009, 684 pp., ISBN 978-83-7676-008-7
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
Манаджемент археологического насследия и кража древностей в Республике Молдова
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
Stefan Ihrig, Wer sind die Moldawier? Rumänismus versus Moldowanismus in Historiographie und Schulbüchern der Republik Moldova, 1991-2006, Stuttgart: ibidem-Verlag, 2008, ISBN-10: 3-89821-466-4
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Sergiu Musteață
A new law - a new perspective for the archaeological heritage preservation in the Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.