The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage. The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience. Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region. Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).
Heroism and the Transylvanian Romanians in the First World War
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The present study discusses the perceptions on the hero during and after the First World War in official Romanian discourses (from Transylvania and from Romania), regarding the Romanian soldiers from Transylvania who were involved in the war, either fighting for their own country Austria-Hungary, either for their future country Romania.
These are the years when the concept of heroism receives firm and precise connotations. Being a hero comprises a full set of civic and national values that animate the armed man. Generally speaking, war has brought a radical change of register regarding the identification and praise of heroes, regardless of the place where it caused casualties. With Word War I, hero conceptualization is complete. The Romanian space proposes a formula adapted to our own realities, marked by the evolution of war and by its final result, as the hero becomes the creator of “the union”, fulfilling the national dream. In this formula, it became difficult for the Transylvanian soldiers who fought for Austria-Hungary to be seen as heroes.
The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.