The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church. St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.
The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.
State and Church in the Later Roman Empire: Valentinian I, Valens and the Arian crisis
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
In the 4th century AD, the emperor, absolute monarch though he was, ruled by consensus, and consensus could only maintained at the price of compromise. Thus, emperors who failed to understand the principle of clemency not only violated the common code of proper conduct, they also threatened the foundations of their rule.
Valentinian I and Valens were largely indifferent to the diversity of religious belief in their worlds, and both tried primarily to maintain the status quo by privileging Christianity without attacking paganism. Valens differed from his brother, primarily because of the different circumstances in which the two operated.
The new strength of Christianity in the 4th century opened an alternative avenue to power through the bishops, who successfully challenged the authority of the emperor and his officials. The rise of powerful bishops also helped fractionalize the church and pulled emperors into ecclesiastical power struggles. Thus, the Homoians were the dominant church in the east when Valens attained the throne, and they gained their dominance at the expense of the Homoiousians. In upholding the council of Constantinople (360) by suppressing the Homoiousians, Valens was carrying on the task initiated by Constantius II of defending the official state church. Valens was also willing to entrust ecclesiastical affairs to a small though powerful group of Homoian clerics.
Jovian’s rhetoric of concord was kept alive by his successor, Valentinian – who was a Nicene, but did not favor Nicenes any more than any other Christian faction. Valentinian maintained a detached indifference to the doctrinal debates of his day, a luxury he was allowed by the much calmer atmosphere in the churches of the west. Valens, by contrast, was forced to clean up the mess Julian had created by forcibly applying the doctrines of the council of Constantinople (360), which had imposed Homoian Christianity in the east and deposed some of the most important Homoiousian bishops there. Having done this, Valens was able to operate with much the same indifference as his brother during the middle years of his reign, when he aimed primarily at achieving peace and concord in the church. After the death of Athanasius in 373, Valens began to exert considerable force in order to achieve the illusory end of unifying the church around the Homoian creed. The violence Valens wreaked in Egypt constituted something of a turning point in his relationship with the church. Only at the end of his reign did Valens turn to the scorching persecutions that have left him with the reputation of a religious persecutor; by 376, Valens’s name became synonymous with heresy and religious violence.
Like his brother, Valens desired harmony in the church. Unlike his brother, he had not learned that belief cannot be dictated by force. Valens failed to understand that ecclesiastical loyalties were a local matter and could not be controlled from on high. Many 4th–century emperors attacked religious dissenters, but very few suffered a catastrophic fate like Valens’s to prove, in the eyes of contemporaries, that they had provoked the wrath of the divine.
Valens’s disaster at Adrianople guaranteed the victory of the Nicene faction in the long-standing battle over the person of Christ. Without the destruction of the Arian emperor Valens and without the political and military chaos that it provoked, there probably would never have been this solidarity effect under emperor Theodosius I – the solidification of a formerly divided church around the Nicaena fides. Thus, Valens helped the church become what it is, however paradoxical this may sound.
The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.