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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour


Publications Journal „Tyragetia"   vol. I [XVI], nr. 1


State and Church in the Later Roman Empire: Valentinian I, Valens and the Arian crisis
ISSN 1857-0240
E-ISSN 2537-6330

State and Church in the Later Roman Empire: Valentinian I, Valens and the Arian crisis

Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică

In the 4th century AD, the emperor, absolute monarch though he was, ruled by consensus, and consensus could only maintained at the price of compromise. Thus, emperors who failed to understand the principle of clemency not only violated the common code of proper conduct, they also threatened the foundations of their rule.

Valentinian I and Valens were largely indifferent to the diversity of religious belief in their worlds, and both tried primarily to maintain the status quo by privileging Christianity without attacking paganism. Valens differed from his brother, primarily because of the different circumstances in which the two operated.

The new strength of Christianity in the 4th century opened an alternative avenue to power through the bishops, who successfully challenged the authority of the emperor and his officials. The rise of powerful bishops also helped fractionalize the church and pulled emperors into ecclesiastical power struggles. Thus, the Homoians were the dominant church in the east when Valens attained the throne, and they gained their dominance at the expense of the Homoiousians. In upholding the council of Constantinople (360) by suppressing the Homoiousians, Valens was carrying on the task initiated by Constantius II of defending the official state church. Valens was also willing to entrust ecclesiastical affairs to a small though powerful group of Homoian clerics.

Jovian’s rhetoric of concord was kept alive by his successor, Valentinian – who was a Nicene, but did not favor Nicenes any more than any other Christian faction. Valentinian maintained a detached indifference to the doctrinal debates of his day, a luxury he was allowed by the much calmer atmosphere in the churches of the west. Valens, by contrast, was forced to clean up the mess Julian had created by forcibly applying the doctrines of the council of Constantinople (360), which had imposed Homoian Christianity in the east and deposed some of the most important Homoiousian bishops there. Having done this, Valens was able to operate with much the same indifference as his brother during the middle years of his reign, when he aimed primarily at achieving peace and concord in the church. After the death of Athanasius in 373, Valens began to exert considerable force in order to achieve the illusory end of unifying the church around the Homoian creed. The violence Valens wreaked in Egypt constituted something of a turning point in his relationship with the church. Only at the end of his reign did Valens turn to the scorching persecutions that have left him with the reputation of a religious persecutor; by 376, Valens’s name became synonymous with heresy and religious violence.

Like his brother, Valens desired harmony in the church. Unlike his brother, he had not learned that belief cannot be dictated by force. Valens failed to understand that ecclesiastical loyalties were a local matter and could not be controlled from on high. Many 4th–century emperors attacked religious dissenters, but very few suffered a catastrophic fate like Valens’s to prove, in the eyes of contemporaries, that they had provoked the wrath of the divine.

Valens’s disaster at Adrianople guaranteed the victory of the Nicene faction in the long-standing battle over the person of Christ. Without the destruction of the Arian emperor Valens and without the political and military chaos that it provoked, there probably would never have been this solidarity effect under emperor Theodosius I – the solidification of a formerly divided church around the Nicaena fides. Thus, Valens helped the church become what it is, however paradoxical this may sound.




 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC