In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Serghei Agulnicov, Eugen Mistreanu, Sergiu Popovici
Tumuli (kurgans) from Brînzenii Noi and Rogojeni (Rescue Archaeological Research 2013)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
This article puts in the scientifi c use results of rescue research of the mound (tumulus) no.1 from the village of Brânzenii Noi (Telenești District) and the mound (tumulus) no.1 from the village of Rogojeni (Şoldănești District). The vast majority of burials in the mounds studied belong to the Yamna culture, Early Bronze Age. One burial from the mound 1 in Brînzenii Noi refers to antiquities of the Noua culture, Late Bronze Age. In conclusion, the authors consider the issues of coexistence of the Late Yamna culture tribes with the bearers of the Catacomb culture in such a peculiar ecological niche as the fl oodplain of the Middle Răut.
List of illustrations:
Fig. 1. Geographical location of the researched tumuli (kurgans): 1 - Brânzenii Noi village, Telenești District; 2 - Rogojeni village, Șoldănești District. Fig. 2. The terrain map with the location of the tumuli (kurgans) and necropolises studied in the lower riches of the Middle Răut: I - the kurgan from Orhei; II - tumular necropolis from Braviceni; III - tumular necropolis from Ciocîlteni; IV - burial mounds from Codrul Nou. Fig. 3. Brânzenii Noi. Tumulus (kurgan) no. 1. Plan and sections. Fig. 4. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 1, stone fi lling. Fig. 5. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - tomb no. 3; 3 - temple ring from the tomb no. 2; 4 - vessel from the tomb no. 1; 5 - tomb no. 2. Fig. 6. Brânzenii Noi. Tumulus (kurgan) no. 1. Tomb no. 4. Fig. 7. Rogojeni. Tumulus (kurgan) no. 1. Plan and sections. Fig. 8. Rogojeni. Tumulus (kurgan) no. 1: 1 - tomb no. 1; 2 - vessel from the tomb no. 1; 3 - tomb no. 2; 4 - vessel from the tomb no. 2. Fig. 9. Rogojeni. Tumulus (kurgan) no. 1: 1 - anthropomorphic stele; 2, 3 - fl int fl ake. Fig. 10. Brânzenii Noi. Tumulus (kurgan) no. 1: 1 - vessel from tomb no. 1; 2 - vessel from tomb no. 1 (photo in situ). Rogojeni. Tumulus (kurgan) no. 1: 3 - vessel from tomb no. 1; 4 - vessel from tomb no. 1 (photo in situ); 5 - vessel from tomb no. 2, 6 - vessel from tomb no. 1 (photo in situ).
Сергей М. Агульников
The Belozerka culture horizon from the settlement Kriničnoe
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
Settlements of Gumelniţa culture in the Prut-Dniester area (catalog)
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
New data on Gumelnița communities in the Yalpug River microzone
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 1, Arheologie. Istorie Antică
Sergiu Popovici
Aurel Vîlcu, Theodor Isvoranu, Eugen Nicolae, Les Monnaies d'or de l'Institut d'Arheologie de Bucarest, Moneta, Wetteren 2006, 253 p., abrevieri, indice de catalog, 32 planșe, 884 fi g., 1 hartă, ISBN 90-77297-29-4
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Eugen Mistreanu
About the batch of clay “breadcakes” found at the Cucoara I site (from the collections of the National Museum of History of Moldova)
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 1, Arheologie. Istorie Antică, Chişinău, 2022
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
