The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
• Nicolae Răileanu, Mariana Bălan, Programe de cercetare în domeniul istoriei, artelor și științelor oferite de Smithsonian Institution din SUA (Research Programs of the Smithsonian Institution (USA) in the Fields of History, Arts, and Science) • Elena Prus, Muzealizarea lumii în contextul reurbanizații și mondializării (Museum Transformation of the World in the Context of Urbanisation and Globalisation) • Lucia Tonu, Ecomuzeul - o formă nouă de organizare și recepționare a imaginii din muzeu (Ecomuseum: New Form of Organization and Perception of a Museum Image)
II. Arheologie și istorie (Archaeology and history)
• Maher Wanli, Industria lamelară a nivelului 3-a de locuire musteriană din grota Trinca l (Lamellar Industry of the Stratum 3a of the Site from Grotto Trinka l) • Ilie Borziac, Etapa timpurie a paleoliticului superior din spațiul Carpato-Nistrean. Cultura Brânzeni (Transitional Stage: Brânzeni Culture) • Alexandru Levinschi, Sergiu Covalenco, Ecaterina Abâzov, Fortificația getică Saharna-“La Revechin" - sistemul defensiv (The Getian Fortification of Saharna-“La Revechin”: The Defensive System) • Alexandru Levinschi, Despre un tip de amfore din sec. IV î.e.n. din fortificația Saharna-"La Revechin". (About a Type of Amphorae from the Fortification of Saharna-“La Revechin” (4lh century B.C.)) • Natalia Mateevici, Difuzarea amforelor grecești în interfluviul Siret-Prut în sec. VI înc. sec. II a. Chr. (Grecian Amphorae Diffusion between the Rivers of Siret and Prut in 6th - beginning of 2nd centuries B.C). • Nicolae Telnov, Vlad Vornic, Valeriu Bubulici, Serghei Kurceatov, Descoperiri arheologice din așezarea dacilor liberi de la Pruteni (Archaeological Discoveries from the Free Dacians' Settlement of Pruteni (Bălți District)) • Ion Hâncu, Pătrunderea și înrădăcinarea creștinismului în spațiul Pruto-Nistrean (Penetration and Establishment of Christianity in the Area between Rivers of Prut and Dniester) • Ion Chirtoagă, Din istoria ocupațiilor economice în țara Moldovei în sec. XIV-XVII (From the History of Economic Activities in Tara Moldovei in 14th - 17th Centuries) • Eduard Baidaus, Despre un adversar al unirii din 1600 - Voievodul Moldovei Ieremia Movilă (1595-1606) (About an Opponent of the Union of 1600: Ieremia Movila - the Voevode of Moldova (1595-1606)) • Ion Tentiuc, Repere istoriografice privind originea mănăstirii Hâncu (Historiograpical Notes Concerned the Hâncu Monastery Origin) • Nicolae Răileanu, Considerații privind crearea Ligii Sfinte și atitudinea domnitorilor români (Considerations Concerned the Creation of the Holy League and the Romanian Gospodars' Position) • Ion Dron, Transnistria: localități cu nume de origine antroponimică românească (Transnistria: Settlements with Names of Romanian Anthroponymic Origin) • Mihai Onilă, Hotarele moșiei satului Isacova, ținutul Orhei (sec. XIX) (Boundaries of the Village of Isacova Land) • Ludmila Velixar, Din istoria orașului Cahul (Pages from the History of Cahul) • Andrei Eșanu, „Descrierea Moldovei" a lui Dimitrie Cantemir în cultura rusă (Description of Moldova by Dimitrie Cantemir in Russian Culture) • Eugenia Borodac, Tamara Stamatov, Tehnici de decorare a porțelanului (Techniques of Porcelain Decoration) • Anatol Leșcu, Românii în componența trupelor rusești în l-a treime a secolului XIX (The Romanians in the Ranks of Russian Armed Forces (1sl third of 19lh century)) • Elena Ploșnița, Din activitatea culturală a mitropolitului G. Bănulescu-Bodoni (Metropolitan G. Bănulescu-Bodoni: Several Considerations) • Dinu Poștarencu, Instituția rezidentului plenipotențiar al Basarabiei (Establishment of Resident Plenipotentiary in Bessarabia) • Silvia Corlăteanu-Granciuc, Actele de identitate din Basarabia de la primele mențiuni documentare până în anul 1918 (History of Identity Cards in Bessarabia from the First Written Records to 1918) • Ludmila Năstase, Dinastia de arhitecți Bernardazzi (The Dynasty of Architects Bernardazzi) • Irina Gonciarova, Sigiliul "Secția chișinăuiană a Societății muzicale imperiale ruse" (sfârșitul sec. XIX - începutul sec. XX.) (A Seal of the Chișinău Department of the Russian Imperial Musical Society) • Lubovi Malahov, Foi volante editate de Frățimea Ortodoxă "Nașterea lui Hristos" din Chișinău (1899-1918) (Books Published by the Christmas Orthodox Brotherhood from Chișinău) • Lilia Zabolotnaia, Destinul unei familii (Some Pages from the History of the Dynasty of Tumarkins) • Ana Grițco, Societatea de binefacere Bessarabeț (The "Bessarabeț" Charitable Society) • Maria Danilov, Revizia Tipografiei Eparhiale la 1910 (The Eparchial Printing-House Inspection in 1910) • Diana Iepure, Instalarea Rețelelor telefonice în spațiul Basarabean la sfârșitul sec. XIX începutul sec. XX (Installation of Telephone Network in Bessarabia) • Ion Şpac, Revista "Arhivele Basarabiei" (1929-1938) (The Magazine "Arhivele Basarabiei" in 1929-1938) • Olga Şcipachin, Istoria unei promoții (From New Collections of the NationalMuseum of History of Moldova) • Elena Postică, Războiul informațional împotriva Republicii Moldova (cazul diferendului transnistrean) (The Informațional War Against the Republic of Moldova. Case Study: the Transnistrian Conflict) • Lubovi Reprințeva, Mărcile poștale din Republica Moldova (The Republic of Moldova Postage - Stamps) • Silviu Andrieș-Tabac, Stemele și drapelele orașelor Codru, Florești și Otaci (Arms and Flags of the Towns of Codru, Florești, and Otaci) • Liviu Vacarciuc, Istoria viței de vie (History of Vine)
III. Artă, învățământ, etnografie (Art, education, ethnography)
• Svetlana Reabțeva, Tezaurul Răducăneni (România) și cetățile circulare din spațiul Carpato-Nistrean (The Hoard of Răducăneni (România) and Ring-shaped Sites of Ancient Settlements of the Carpathian Mountains and the Dniester Area) • Svetlana Speranschi, Chipul Sf. Nicolae în iconografia ortodoxă (St. Nicolas's Iconography) • Emanuil Brihuneț, Biserica de lemn "Sf. Afanasie" din satul Etulia, Vulcănești (Wooden Church of St. Athanasius in the Village of Etulia) • Vlad D. Ghimpu, Catedrala înălțarea Domnului din Chișinău (1830) (The Ascension Cathedral in Chișinău (1830)) • Nicolae Crețu, Bibliotecile școlare în procesul instructiv din Basarabia în anii 1870-1918 (Role of School Libraries in Educațional Process in Bessarabia (1870-1918)) • Silvia Şărănuță, Textilele tradiționale basarabene în Interiorul casei țărănești (sec. XIX-XX) Bessarabian Traditional Textile Fabrics in Interior of Peasant House (19th-20th centuries) • Silvia Şărănuță, Traistele și desagii - textile tradiționale basarabene în sec. XIX-XX (Knapsacks and Bags: Traditional Textile Articles in 19th - 20th centuries) • Aurelia Cornețchi, Considerații privind istoria Liceului de fete Domnița Ileana din Bălți (Some Considerations Concerned the History of the Girls' Lyceum named after Princess Ileana) • Lilia Dragnev, Arta contemporană în Republica Moldova (Contemporary Art in the Republic of Moldova) • Adelaida Chiroșca, Ana Boldureanu, Monede comemorative contemporane moldovenești (Contemporary Moldavian Commemorative Coins)
IV. Personalități (Outstanding persons)
• Elena Pereteatcu, Teatrul a fost viața ei (A Theatre was Her Life: Centenary of Nina Masalischi) • Liviu Vacarciuc, Centenarul ilustrului viticultor basarabean academicianului Gherasim Constantinescu (Centenary of Outstanding Bessarabian Viticulturist Academician Gherasim Constantinescu) • Maria Evdochimov, Mihail Juraveli - renumit selecționar, creatorul unor noi soiuri de viță de vie în Moldova (Famous Moldavian Selectionist in Viticultura M. Zhuravel) • Vera Stăvilă, Academicianul Tadeuș Malinovski (Academician Tadeuș Malinovschi)
V. Omagieri (Homage)
• Nicolae Răileanu, O viață consacrată arheologiei Opera științifică a lui Nicolae Chetraru Life Dedicated tu Archeology (Nicolae Chetraru's Scientific Work) • Ilie Borziac, Rolul lui Nicolae Chetraru în studiul stațiunilor pluristratigrafice din grotele și peșterile Moldovei (N. Chetraru's Contribution to Study of Caves and Grottoes) • Anatolie David, Contribuția arheologului Nicolae Chetraru la cercetarea teriofaunei pleistocenului superior din Republica Moldova (Archaeologist N. Chetraru's Contribution to the Research of the Fauna of the Upper Pleistocene of Moldova) • Diana Iepure, Eugenia Borodac la cei 60 de ani • Tudor Arnăut, Profesorul Mircea Babeș la cei 60 de ani
VI. Viața științifica și recenzii (Scientific life and reviews)
• Vlad D. Ghimpu, A XXXV-a Sesiune Națională de Rapoarte arheologice din România (23-27 mai 2001) • Maria Danilov, Sesiunea de comunicări științifice. Milenii Tezaurizate. Creație și spiritualitate. Buzău, 2001 • Elena Postică, Conferință Internațională la Universitatea din Oradea • Natalia Mateevici, Conferința de arheologie a Universității din Odesa • Maria Neagu, Republica Moldova - România: un deceniu de relații complexe • Valentina Chirtoagă, Heimatbuch der Bessarabiendeutschen - o monografie despre comunitatea etno-religioasă a germanilor din Basarabia (Recenzie)
VII. Cronica muzeală (Museums' chronicle)
• Aurelia Cornețchi, Activitatea Muzeului Național de Istorie a Moldovei în anul 2001
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
