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#Exhibit of the Month

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Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.

The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.

The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.

The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.

The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.

The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.


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Museum. Museumification of the immovable cultural heritage

Museum. Museumification of the immovable cultural heritage

Biblioteca „Tyragetia” XXXIV, Chișinău, 2021, 232 p. ISBN 978-9975-80-903-0; 978-9975-166-26-3

A museum is one of the oldest cultural institutions. Over time, the concept of a museum has undergone many changes, the institution being approached from different points of view. Today, the concept of a museum is the subject of extensive debate in the world of museum professionals. New approaches and interpretations related to the mission and vision of a museum are proposed, new models of museum institutions appear. A museum is becoming an indispensable cultural institution for a modern society that preserves and develops the heritage. The development is a universal way of preserving cultural heritage, contributing to tolerance and cohesion in society. The level of development of the heritage also determines the level of development of the society. Effective development of the heritage is achieved through museumification. Museumification leads to the promotion of monuments, their successful use for educational purposes, complex study, interdisciplinary approach and amplification of the process of knowledge and awareness of the need to protect them. The subject of this book is the preservation and optimal development of cultural heritage through museumification, in order to sustain the development of society, the spiritual development of people. The approach to this topic starts from the belief that such research is necessary and can be useful. Museumification is seen as a tool for the protection and development of immovable cultural heritage. This paper presents an important page in the history of national culture, concerning museums and museumification, heritage and heritageization. The topic touched upon here, we believe, relates to museology, heritage science, the areas that are complex, but important for national culture. Museumification is a complex process involving the transformation of cultural and natural heritage into museum objects with the aim of maximizing their preservation, revealing their historical, cultural, scientific, artistic value, and for their promotion. Museumification is considered as an optimal way to protect and relay the socio-cultural experience through the use of memorial houses, archaeological sites, religious monuments, literary and memorial complexes. The process of museumification in the Republic of Moldova is presented in the paper in historical dynamics, in various forms in which it manifested itself - as a museum activity, as a way of preserving and using historical monuments, and as an important factor in the development of the museum system and museography in general. The work includes three chapters with a complex documentary and bibliographic basis.

CONTENTS

Preface (by Liliana Condraticova)

A book about museum and museumification (by Ioan Opriș)

Argument

I. MUSEUM INSTITUTION. PROFESSIONALIZATION OF THE MUSEOGRAPHIC FIELD

I.1. About a museum
I.2. National and international organizations as important tools in forming the professional community
I.3. Professional training of museographers
I.4. Specialized press in the professional communication system
I.5. Professionalization standards: Code of ethics
I.6. Accreditation of museums as a new stage in the professionalization of the museographic field

II. MUSEUMS AND HISTORIC MONUMENTS IN THE INSTITUTIONAL AND LEGISLATIVE SYSTEM

II.1. Institutional structures dedicated to museums
II.2. Museum institution. Legislative aspects
II.3. The contemporary museum between tradition and modernity
II.4. Heritage and heritageization
II.5. Historical monuments in the institutional system
II.6. Legislation regarding historical monuments

III. MUSEUMIFICATION OF IMMOVABLE HERITAGE

III.1. The grammar of the museumification of cultural heritage
III.2. Muzeumification of memorial houses
III.3. Museum and church: problems of museumification
III.4. Archeology and the museumification process
III.5. Museumification of medieval fortresses
III.6. Museumification of historical sites

CONCLUSION

Bibliography

List of abbreviations

Abstract

Резюме

Annexes

Index of proper names

Index of museums

Index of historical monuments

 




 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC