#Exhibit of the Month

The great ruler Stephen the Great, outstanding army commander and diplomat, was also concerned during his life with the economic prosperity of the country, supporting the development of crafts, trade and fairs. During his reign, groși and half groși minted in the dinar system were issued, a monetary system introduced in Moldova during the last reign of Petru Aron (1455-1457).

The coins were minted from silver of superior title, those that reflect stability in the economic life of the country at that time. Their masterful execution at the Suceava mint is among the beautiful artistic achievements during the reign of Stephen the Great.

During his reign, two types of issues were minted, for the two denominations: groși and half groși.

Type I issues have a split shield on the obverse; in the first quarter appears a rose surmounted by a cross and three fascias, in the second quarter. For the epigraph issues (groși), the image is accompanied by the circular legend with the name of the issuer: + STEFANVS VOIEVODA. On the other side appears the bour's head with a star between the horns accompanied by the heraldic furniture - the rose and the contoured crescent, placed to the right and left of the bour's head; circular legend: MOLDAVIE COIN.

On type II coins in the shield on the obverse appears a patriarchal cross (double) and the legend STEFANVSVOIEVOD or abbreviated STEFANVSVOIE. On the reverse, as in type I, the bour's head with heraldic attributes is preserved: rose right/crescent left and crescent right/rose left. A star or rose appears between the ox's horns. The legend accompanying the face with the bour head is MONETAMOLDAVI or abbreviated MONETAMOLDA.

The dating of Stephen the Great's coins is still under discussion. According to one opinion, type I issues were minted between 1457-1476, and type II between 1480/1481-1505 (Octavian Iliescu), and another 1465/1467-1475/1476 for type I and 1476/1479-1497 for type II (Ernest Oberländer-Târnoveanu).

The coins in this showcase were discovered during the archaeological excavations at Orheiul Vechi (Trebujeni, Orhei district) in the 6th and 7th decades of the 20th century:

1. Type I money issues, groși, silver
2. Type II money issues, groși, silver
3. Type II coin issue, half groși, silver

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Publications

Library „Tyragetia"

Elena Ploșnița

Museum. Traditionalism and modernity

Biblioteca „Tyragetia” XXXVII, Chișinău, 2022, 210 p. ISBN 978-9975-80-903-0; 978-9975-166-26-3.

The book "Museum. Traditionalism and modernity" is a theoretical reflection on what is a museum institution between traditionalism and modernity. Specific topics that draw up the museum between tradition and modernity are considered. The systematization and analysis of the latest achievements in Moldavian museography has been carried out. Both traditional and innovative processes in the evolution of the contemporary museum as a public institution are traced.

The work is focused on the problems of museums in the Republic of Moldova, the evolution of these institutions over the past 30 years in the dimension between traditionalism and modernity. The main milestones of this evolution are indicated, with many meanings, contradictions, and changes that mark it. In order to present a complete picture of the issue, a systematization and analysis of the latest achievements in Moldavian museography in three specific areas is given, taking into account the specifics of the functioning of a museum: collections, exposition, communication. The book may be of interest to specialists, since for the first time it approaches, in a comprehensive way, the problems of traditionalism and modernity in the museum system of the Republic of Moldova.

The monograph comes as an argument in support of the motivations for reforming and modernizing the traditional museums in the Republic of Moldova, and we hope that it will help museum professionals in the process of internal and external reforming and modernization of the institution. The contemporary museum in the Republic of Moldova remains a traditional one, designed even today as an ordinary institution, but it can become modern only through reform and reorganization, formulating a clear mission and specific goals, through efficient management of collections, by attracting visitors, by developing and implementing national and international projects.

Contents

Preface

1. MUSEUM COLLECTIONS: THEORETICAL AND PRACTICAL ASPECTS

1.1. Museum collections management coordinates
1.2. Scientific records for museum cultural values
1.3. Research and classification of museum collections
1.4. Digitization of museum collections
1.5. Nominal assessment of museum cultural heritage

2. MUSEUM EXHIBITION: APPROACHES

2.1. The concept of museum exhibition
2.2. Typology and methods of organizing a museum exhibition
2.3. Permanent exhibition - a traditional necessity or a modern bagatelle?
2.4. Museum exhibition and information technologies

3. MUSEUM AUDIENCES: COMMUNICATION AND EDUCATION

3.1. Public relations/museum's relationship with the public
3.2. Traditional and modern museum communication
3.3. Education in a modern museum
3.4. Knowing visitors is a modern imperative

CONCLUSIONS

Bibliography
List of abbreviations
Summary (in English)
Summary
Annexes
Index of names
Index of museums