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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

Virtual Tour


“The train of pain”

The monument that is dedicated to the memory of the victims of the deportations of the communist regime (unofficially, also called the "Train of Pain") is a memorial that holds the memory of tens of thousands of Moldovans (Bessarabians) deported in the years 1940–1953 during the communist regime.

The location of the monument in the square of the Chisinau Railway Station has a special connotation: it was from here that most of the Bessarabians were forcibly taken to Siberia and Kazakhstan. Documentary materials about the deportees and their families are included in four volumes of the Memory Book. The volumes contain data on individuals subjected to repression (name, surname of the repressed, year of birth, place of origin, year and reason for repression, place of detention (deportation), data on rehabilitation) in the municipalities and districts of the Republic of Moldova. The documentary material is structured according to the administrative-territorial division of the Republic of Moldova until 12.11.1998. Within the district, the materials are distributed by communes, within the commune - in alphabetical order and respecting the chronology of repressions. To ensure maximum accessibility, the Memory Book has been digitized and encoded in a QR Code.

The monument is made by the sculptor Iurie Platon. The inauguration of the monument took place on August 23, 2013. The bronze sculpture is 3 meters high, 12 meters long and weighs 15 tons.

IURIE PLATON

Painter, ceramist, sculptor, organizer of numerous international projects of intercultural exchanges, teacher of art education,

visual artist with work in public and private collections from all around the world,

awarded with prestigious prizes and distinctions at contemporary art competitions.

Studies:

1974 – 1981 Republican High School of Fine Arts Igor Vieru, class of Professor Victor Marinescu, Chisinau

1982 – 1987 Institute of Arts, class of teachers Eve Mardna, Leo Rohlin, Tallinn, Estonia, Specialization: Fine and Applied Arts

Devotion:

1985 He made his creative debut with painting at the Youth Theater, Tallinn, Estonia

1987 The republican exhibition of decorative art participates with the work Memories

1987 Full member of the Association of Young Visual Artists and Art Critics of the USSR Union of Fine Artists

1991 Full member of the Union of Visual Artists of the Republic of Moldova

1997, 1998 Initiator and organizer of the International Symposium of small bronze sculpture, Chisinau

1996, up until now he continues to be an freelance visual artist in Germany and the Republic of Moldova

Teaching activity in art education:

1987 – 1996 P Professor at the Academy of Music, Theater and Fine Arts, Chisinau. He led the first class of graduates at the ceramics department, of which Oleg Dobrovolschi, Elena Mogorean, Ion Niţa, Vladimir Tabac integrated in the contemporary creative process.

2000, 2003, 2008 Professor of stone sculpture at the Summer Academy at the An der Copelschleuse Creation Center, Meppen, Germany

2005 Outdoor painting teacher at courses organized by the Imbert Gallery, Aix-en-Provance, France

Solo Exhibitions:

From the beginning of his artistic activity up until now, he carries out an extensive creative activity, accumulating in his record more than 60 personal and group exhibitions in the country and abroad: Argentina, Austria, Bulgaria, Czech Republic, France, Germany, Italy, Japan, Lithuania, Macedonia, Moldova, Romania, Russia, Spain, Sweden, Hungary.

Monumental works for public:

Argentina, Czech Republic, Germany, Republic of Moldova, Romania

Works in public and private collections:

Argentina, Czech Republic, Estonia, Germany, Republic of Moldova, Romania

Distinctions / scholarships:

1991 Youth Prize for Fine Arts, awarded by the Ministry of Youth and Sports of the Republic of Moldova

1994 Iulian Antonescu Museum Complex Award, Bacău, Romania

1996 Lotus Company Award, Romania - awarded at the exhibition-contest of contemporary art Salons of Moldova: Romania-Republic of Moldova

1997 First Prize of the Radio Free Europe Sculptors Symposium, Czech Republic

2000, 2003, 2008 Scholarship awarded by the An der Copelschleuse Creative Center, Meppen, Germany

2006 Scholarship awarded by the International Confederation of Visual Artists' Unions of Moscow at the Cité Internaionali des Arts, Paris, France

2009 Prize of the Union of Visual Artists of the Republic of Moldova

2009 First prize in the competition for the construction of the monument in memory of the victims of Stalinist reprisals, Chisinau

2011 Diploma of the Ministry of Culture of the Republic of Moldova at the International Biennial of Painting, Chisinau



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC