#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour

Chronological Axis

Iron Age and Antiquity

(last centuries of 2nd millennium B.C. – first centuries of 1st millennium A.D.)

The beginning of the Iron Age in the area between Prut and Dniester is considered in the pan-European context of “hallstattization” of material and spiritual culture of the population – phenomena, which started in the last centuries of the 2nd millennium B.C. and completed in the first centuries of the 1st millennium A.D.

The framework of the Iron Age includes several large periods. The first one is the period of Thracian Hallstatt represented by the cultures of Cisinau-Corlateni, Saharna-Solonceni-Cozia, and Soldanesti-Basarabi type. This period is characterized by the pottery ornamented with grooves and incisions. Bronze items were widespread. In the period of hallstattization of the East-Carpathian forest-steppe regions, in the steppe areas the nomadic cattle-breeders dominated (the Belozerca culture). The Cimmerians often penetrated in their environment (9th – 7th centuries B.C.). By the middle of the 7th century B.C. the Scythian tribes appear in the region. Vestiges of their material culture can be found mainly in the funeral complexes.

The period of Hallstatt is important for the fact that it laid the foundation of the Getae-Dacian culture that existed in the 6th – 1st centuries B.C. The number of the archaeological sites attributed to the Getae at present amounts to 250. The Getae settlements and fortresses were fortified with ramparts and moats. Fortifications were found in different localities, of which Trebujeni, Butuceni, Saharna Mare and Saharna Mica, Stolniceni, and Mascati are the most representative ones. The predominant funeral rite was incineration. Material culture of the Getae includes pottery, tools and weapons made of bronze and iron, buckles, bracelets, mirrors, glass beads. Discoveries of coins and coin hoards testify to the existence of economic relations with the Greek world.

The presence of these cultural and economic contacts with the population of North-Pontic Greek colonies since the middle of the 1st millennium B.C. is supported by the discovery of imported items, such as amphorae, beautiful vessels, and gold jewellery, at the settlements and necropolises. Greek amphorae constitute the largest group of the imported items. They have allowed identifying of the production centres, which exported goods, especially wine and olive oil, to the region. The museum collection contains the amphorae produced in the Greek poleis of Chios, Lesbos, Samos, Thasos, Heraclea, Tauric Chersonese, Sinope, etc. The earliest objects date from the late 6th century B.C., and the latest ones date from the early 2nd century B.C.

A significant group of Greek artefacts consists of black-glazed vessels (kantharos, kylix, skyphos, bowl, fish-plate, lekythos). The earliest ones date from the late 5th century B.C. The red-figure pelike with representations of the Greek mythical personages found in the tumulus 1 from Manta, the golden necklace from the tumulus 5 from Dubasari, and the Olanesti hoard are the real pearls of the museum collection. In the last centuries of the 1st millennium B.C., from the northwest Germanic tribes of the Bastarnians penetrate to the region. Since the 1st century B.C. from the east towards the Prut-Dniester area there was advancing a new wave of cattle-breeders – the Sarmatian tribes, which had many imported Roman objects in their material culture.

The end of armed confrontations with the Roman Empire in 105 – 106 signified the acceleration of Romanization of the local population, the adoption of different forms of material culture and spiritual life. Vestiges of the free Dacians, investigated in the recent years, are significant in this sense.

One of the most representative cultural and historical phenomena of the first centuries A.D. was the Santana de Mures – Chernyakhov culture. There are known hundreds of settlements and necropolises with a large variety of material: vessels of different shapes; gold and silver jewellery; bone, glass, bronze, and iron items.

With the bearers of this culture the era of the great migrations of peoples begins. After them came the Huns, Slavs, Hungarians, Pechenegs, Kumans, Mongols, which were staying in the territory for a long or short time.