#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour

Exhibitions

"A walk through 20th century Chișinău"

Opening: November 5, 2019, 17:00, Suțu Palace

November 5 – 24, 2019

Chisinau is, without a doubt, a city of contrasts. A settlement that leads life between "was" and "is". We live this contrast sharply, we see and experience it every day, and its architecture is deeply marked by the transition from the old to the new, being a witness and main indicator of change.

Known from the pictures from the beginning of the last century as a small but very friendly city, today we are increasingly confronted with the nostalgic phrase "here it was" ... "Here was the Diocese", "here was the Hotel Suisse", "here was the girls' gymnasium where the deputies from the Sfatul Țării voted the Union in 1918". Of the architectural jewels that once enjoyed the eyes of the townspeople, today we have only pictures left. These pictures are included in collection catalogs and today, the unknown treasures of architecture and urban life, reflected in 48 images, are brought to the public's attention in an exhibition dedicated to Chișinău in the 20th century.

Chișinău is an open air museum, where thousands of people throughout their lives have lived, loved, built with meaning and humility the image of the city "carved in white stone". Each street keeps the footsteps of those who admired it, whether they were simple or noble people. Each villa retains the living memory of its masters and some are still waiting for them, and the holy places in Chișinău are illuminated by the thoughts of those who admired them or passed through the entrance door.

This exhibition is a challenge for all of us to rediscover Chișinău in times when we have and give so little time for the beauty. It is an invitation to a virtual walk on the streets of former times in an attempt to bring back to attention known or forgotten facts, places loaded with history or emotions. And, as in any place that tends to validate its authenticity through culture, Chișinău, today, perhaps more than ever, needs the exercise of memory in order to survive and develop.

The exhibition of these images at the Suțu Palace was made possible thanks to the combined effort of two teams formed of Dr. hab. Eugen SAVA - General director, Mariana VASILACHE-CUROȘU - Deputy director, Ana GRIȚCO - Head of History section, Cătălina PLINSCHI and Denis TOPAL - exhibition graphics (National Museum of History of Moldova); and Dr. Adrian MAJURU - Manager and Dr. Dan PÎRVULESCU - Deputy director (Bucharest Municipal Museum), hosts of this event.