#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

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Exhibitions

“Archaeological vestiges in the Budzhak Steppe. Taraclia District”

June 24 - September 30, 2021

The National Museum of History of Moldova possesses a rich collection of archaeological remains, resulting from investigations conducted in Taraclia District from the 1970s-1980s up to this day.

At present, on the territory of the district there are known about 220 archeological sites attested near 16 localities, out of the 26 ones that are part of this administrative unit. Among the sites listed in the Archaeological Register of the Republic of Moldova there is a linear fortification (Trajan's Wall), 30 multi-layered settlements, eight flat grave fields and 181 tumulus fields. But only a part of them was investigated by archaeological excavations: four settlements (Taraclia-Gaidabul, Taraclia I, Cealîc, Balabanu I), three flat grave fields (Cealîc, Taraclia-Gaidabul, Taraclia Center) and 48 mounds (groups of mounds near Taraclia, Balabanu, Ciumai etc.).

As a result of surface research, as well as archaeological excavations, traces of habitation have been attested from the early Eneolithic era (4500-4000 BC) to the medieval and pre-modern era, the period of the late nomads (13th -15th centuries and 16th-18th centuries AD).

The exhibition brings together a number of over 500 archeological objects of scientific, historical and aesthetic value, coming from the sites on the territory of Taraclia District, especially from Taraclia-Gaidabul, Taraclia I, Cealîc and others. Work tools, weapons, ornaments and clothing, made of stone, bone, clay, iron, bronze, and other materials, as well as numerous ceramic vessels are on display.

Photographs and drawings from the Museum's collections, personal archives of researchers and scientific publications are used to illustrate the exhibition. For a better perception of the archaeological realities, the exhibition is completed with models of mounds, reconstructions of human activities, etc.

The results of the investigations on the territory of Taraclia District provide a vast, diverse and spectacular informative baggage, important for the knowledge of our past. The purpose of the exhibition is to promote the archaeological heritage discovered in the sites of Taraclia through popularization of the values that are preserved in the museum's collections. The cultural and educational function of the exhibition is to familiarize the general public with materials that reflect the historicity of archaeological sites, their chronological diversity, as well as the uniqueness of artifacts discovered over time in the vicinity of the localities of Taraclia District.