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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour


Exhibitions

“ArheOS
- when anthropologist and archaeologists make bones to speak”

June 13 - November 10, 2019

 
"Archeology is anthropology or nothing" used to say the famous American archaeologists Gordon Willey and Philip Phillips in 1958, thus theorizing a course of research in archeology that, although understood by many, was practiced by very few. The two set the objectives of archaeological research as studying and solving human, cultural and social problems, and anthropology became a tool of obtaining that information and knowledge.

In complex archaeological research, absolutely all recovered fragments are important, whether they represent the results of human activity - artifacts (ceramics, clothing and ornaments, tools made of different materials, weapons, etc.) or osteological material itself. Their interdisciplinary research provides additional data to help complete the daily picture and work of the past.

This exhibition, which brings together archeological artifacts of particular importance, through the sum of their knowledge and osteological materials of special significance, represents a "bridge" through which today's archaeologists and anthropologists "speak" with our predecessors. By analyzing them, we can now know what physical activity they have had, why diseases have suffered and how they have tried to treat some, what were the conditions they lived and what they fed, what rituals they practiced and what has remained behind them. Their histories are fascinating, and their secrets are revealed.

The narrative behind this exhibition was born in the context of extensive research on the human skeleton in recent years, which has often become an avoided subject in different societies. Viewed and accepted differently, often with negative connotations, the skeleton represents for researchers a valuable source of information. Treated and interpreted with great care for all the details, it helps to reconstitute scenes and aspects of the lives of long gone human communities.

The exhibition presents, in chronological order, funerary complexes from the Paleolithic to the Middle Ages, associated with the inventory of graves, sometimes richer, sometimes more austere, defining and representative for the periods concerned. The most spectacular cases recorded by archaeological and anthropological science are highlighted: skulls with intentional ritual deformations, skulls with traces of "surgical" interventions, bones with traces of pathologies or traumas, are the messengers through which we are now closer to the life, activity, spirituality and beliefs of the past.

The concern for the body manifested more or less by man, has left legible traces in our bone matrix since old times. Whether it took the form of aesthetic care, whether it was in the curative field, all the actions to which the skeleton was subjected left its mark on the surface or in the structure of the bones.

Communicating with the people of the past becomes even more interesting the more unusual are the stories that are hidden in their bones.

The exhibition project „ArheOS: when anthropologists and archaeologists make bones to speak" is the achievement of an extraordinary team, it is the cumulative effort of some major and important research institutions: National Museum of History of Moldova and the Anthropological Research Center „Olga Necrasov", the Romanian Academy - Iaşi Branch, Romania.

Curators: drd. Mariana Vasilache-Curoșu (Chișinău) and dr. Angela Simalcsik (Iași).


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
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Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC